Next Up: Ben Allison

You can find out about our next guest, Ben Allison, here. Brother Michael has done another great job of setting up streaming audio so you can hear a bit of the band's music--quite a bit, actually.

John Fixes David's Ipod

This one is cute. John has just fixed David Berkman's Ipod. David's pointing to him as the guy who did it. He himself is all thumbs up.

That's Joe Martin and Ted Poor in the background. It was a great show and a great workshop afterwards!

Tomorrow!

Here's a final reminder about the David Berkman Trio concert Tuesday night, April 22 at 8 pm at the Morris Graves Museum of Art (636 F St. in Eureka).

Remember that, because of the limited seating at the Graves, if you purchase tickets in advance online or at one of the outlets, we can guarantee you a seat. If you get them at the door, standing room may be all that's left. Tickets are on sale at The Metro, People's Records, The Works in Arcata and Eureka and online at RedwoodJazzAlliance.org. Any remaining tickets can be purchased at the door.

Don’t forget about the free workshop that David Berkman will present on Wednesday, April 23rd at 11:00 a.m. in the Studio Theater (Theatre Arts 115) on the HSU campus. The workshop is entitled "Creative Practice, Jazz Standards, the Trio, the Cosmos, and You", so there should be something in it for everyone!

On the Radio Tonight

BRIGHT MOMENTS

WITH THE REDWOOD JAZZ ALLIANCE

APRIL 18, 2008; HOST: MICHAEL QUAM

Playlist

Count Basie, April in Paris, “April in Paris” [1] (3:47)

Mingus Big Band, Gunslinging Birds, “Gunslinging Bird” [1] (7:10)

Delirium Blues Project, Serve or Suffer, “Everybody’s Cryin’ Mercy” [8] (6:42)

Charles Lloyd, Rabo de Nube, “Booker’s Garden” [3] (14:33)

Palmetto All-Stars, The Other Side of Ellington, “Ad Lib on Nippon” [5] (4:10)

Ben Allison, Third Eye, “A Life in the Day of Man Ray” [6] (5:51)

Joel Frahm, Navigator, “White Bear Speaks” [8] (6:14)

David Berkman, Handmade, “A Tiny Prairie Landscape” [6] (2:19)

Miguel Zenón, Awake, “Camarón” [2] (7:43)

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Claudia Acuña, Wind from the South, “Visions” [12] (6:26)

Sun Ra Arkestra, Lanquidity, “There Are Worlds (They Haven’t Told You Of)” [5] (10:57)

Miles Davis, Filles de Kilimanjaro, “Filles de Kilimanjaro” [4] (12:00)

Gonzalo Rubalcaba, Avatar, “Looking in Retrospective” [1] (9:42)

Anthony Brown’s Asian American Orchestra, Far East Suite, “Isfahan” [3] (7:02)

Randy Weston, Portraits of Duke Ellington, “C Jam Blues” [5] (7:25)

This Just In: Review of Zenon's _Awake_ on Descarga.com

MIGUEL ZENÓN

Awake

We are in a golden age of Latin jazz activity, and here's more proof.

Awake is the third project by the Puerto Rican saxophonist and like his earlier works, it's full of intelligence, bristling with knowledge. Zenon, like a pile of younger musicians, works the two sides of the Latin jazz equation like few people have before him, and at times he sounds like Charlie Parker - check out "Awakening" - and at other times he and his exceptional group, Luis Perdomo on piano, Hans Glawischnig on bass and Henry Cole on drums move into a rhythmic sophistication that owes its robustness directly to the Caribbean. Zenon uses a string quartet for two pieces, and on one track amplifies the group with trumpet, trombone and tenor saxophone. At times Zenon exemplifies the rhythmic and harmonic modernity that's rife in New York jazz circles, and he's followed by the always great Perdomo - listen to Perdomo's solo on "Ulysses in Slow Motion." Anyway, this is work that is changing the way jazz functions, and elevating the high mark on what's possible in the idiom. It's historic.

Highly Recommended. (Peter Watrous)

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Peter Watrous writes for the NT Times and Washington Post, among others.

Me, at or near the grave of Buddy Bolden

Up Next at the RJA

Greetings from your friends at the Redwood Jazz Alliance. Miguel Zenón!

Whew! Thanks to all of you who came out. Zenón and his bandmates were thrilled with your attention and enthusiasm.

We've got another great show coming right up with the David Berkman Trio.

They're playing at the Morris Graves Museum of Art at 8 p.m. on Tuesday, April 22. With four critically acclaimed albums (named to Top 10 lists by Jazziz, Jazz Times, and the New York Times) and a bestselling textbook ("The Jazz Musician's Guide to Creative Practicing") to his name, David Berkman has quietly become one of today’s most respected jazz pianists.

Berkman has performed with such luminaries as Sonny Stitt, Joe Lovano, Dave Douglas, Tom Harrell, the Vanguard Orchestra, and Cecil McBee. He's had an especially long and fruitful relationship with drummer Matt Wilson, who appeared here with Trio M and Marty Ehrlich earlier this year. A very popular performer in Europe and Asia, Berkman is squeezing in this West Coast tour, his first, between a week in Paris and a multi-night stand at the Jazz Standard in New York City.

We felt that the intimate atmosphere and fine acoustics of the Graves would be the perfect place to hear this wonderful trio. The only downside to that is that the Graves seats just 110. If you purchase tickets in advance online or at one of the outlets, we can guarantee you a seat. If you get them at the door, standing room may be all that's left.

Tickets are $15 general admission and $10 for students and seniors and are on sale now online at http://www.redwoodjazzalliance.org/tickets.htm and at Peoples Records, the Works in Arcata and Eureka and the Metro. (Please note the Metro has recently begun charging a $1 handling fee on every ticket sold there.)

As with all artists that the Redwood Jazz Alliance brings to town, David Berkman will also present a FREE public workshop. His is entitled "Creative Practice, Jazz Standards, the Trio, the Cosmos, and You" and will take place on Wednesday, April 23rd at 11:00 a.m. in the Studio Theater (Theatre Arts 115) on the HSU campus.

To read more about Berkman and hear an audio stream of his music, go to http://www.redwoodjazzalliance.org/berkman.htm