Showing posts with label Michael Blake. Show all posts
Showing posts with label Michael Blake. Show all posts

Saturday, April 6, 2019

News of Past Guests, Spring 2019 Edition

Spring can really hang you up the most.  But let's not dwell on that.  Instead, let's get right to it, shall we?  In no particular order:

A belated discovery: last summer, saxophonist Michael Blake wrote a brilliant profile/appreciation of tubaist extraordinaire Marcus Rojas (Dave Douglas's Brass Ecstasy) for All About Jazz.

In other tenor sax news: Noah Preminger has a new album, After Life, with Jason Palmer, Kim Cass, Max Light, and Rudy Royston; you can order it here.  While you're at it, go to CD Baby and check out trumpeter Palmer's new double-CD, Rhyme and Reason. (Listen to a track on Soundcloud, first, if you like:)



At CD Baby you can also find Preminger's Chopin Project CD, part of his "Dead Composers Society" project, co-led with drummer Rob Garcia.  And by the way: there's a profile of Preminger, "Perpetual Motion Machine," by Dan Ouellette in the April issue of DownBeat.

There's also a new one from multi-instrumentalist Scott Robinson (Ryan Keberle and Catharsis), Tenormore, with Helen Sung, Martin Wind, and Dennis Mackrel.  It's available here.



Keberle's Catharsis itself (with Robinson, Camila Meza, Jorge Roeder, and Eric Doob) will see the release The Hope I Hold on June 28.  Read all about it at Greenleaf Records (and read an interview with Keberle at Jazz Speaks).

And tenor saxophonist Melissa Aldana just unveiled her Visions:



Meanwhile, you can listen to drummer Bill Stewart's latest, Band Menu, with Walter Smith III and Larry Grenadier, on Soundcloud before purchasing it at CD Baby (where you can also find also saxophonist Miguel Zenón's Grammy-nominated Yo Soy La Tradición, featuring the Spektral Quartet).

Guitarist Joel Harrison assembled an all-star crew of RJA veterans (including David Binney, Uri Caine, Chris Tordini, Stephan Crump, Brian Blade, and Allison Miller, with guest spots by Nels Cline and Theo Bleckmann, among others) for Angel Band, the third volume of his "Free Country" series, featuring jazz-inflected arrangements of classic country tunes. Buy it from Joel; watch a promo video here.

Trumpeter Ralph Alessi has reconvened his quintet This Against That for his third outing on ECM, Imaginary Friends(Fly Trio bassist Larry Grenadier, meanwhile, has done a solo session for ECM entitled The Gleaners.)

Trumpeter Dave Douglas, meanwhile, has three new releases on his Greenleaf label: Brazen Heart: Live at Jazz Standard (capturing a five-night run with his most recent quintet), UPLIFT: Twelve Pieces for Positive Action in 2018 (with frequent partner Joe Lovano and the twin guitars of Julian Lage and Mary Halvorson), and Devotion, a trio record with Uri Caine and Andrew Cyrille.

Antonio Sanchez and Migration's Lines in the Sand, says jazz writer Brian Morton, "makes its strong point" about xenophobia and immigration "without surrendering even a fraction of its musicality." Hear more in this NPR story:




Bassist Linda May Han Oh talks to Burning Ambulance about many things, including her latest album, Aventurine:



And finally (in the "new releases" department, anyway):
Shall we talk awards? The Jazz Times Critics Picks put albums by a bunch of RJA vets in its Top 10 albums of 2018: Ambrose Akinmusire (Origami Harvest, #2), Myra Melford's Snowy Egret (The Other Side of Air, #3), Cecile McLorin Salvant (The Window, #5), Ron Miles (with Joshua Redman, Scott Colley, and Brian Blade in Still Dreaming, #6), and Miguel Zenón (Yo Soy La Tradicion, #10).  More recently, the Jazz Journalists Association recognized Linda May Han Oh as Up and Coming Musician of the Year and Bassist of the Year, Cecile McLorin Salvant as Female Vocalist of the Year, Scott Robinson as Multi-Reeds Player of the Year and Player of the Year of Instruments Rare in Jazz, Miguel Zenon as Alto Saxophonist of the Year, Chris Potter as Tenor Saxophonist of the Year, Anat Cohen as Clarinetist of the Year, and Brian Blade as Traps Drummer of the Year.

That same issue of Jazz Times (February 2019) had a long-overdue profile of Myra Melford by Matthew Kassel, "Both Sides Now."

Speak of the devil: Melford herself penned a remembrance of the late Cecil Taylor--and vocalist Rene Marie pays tribute to Aretha Franklin--in the March issue of Jazz Times.

In addition to being an important composer and bandleader, Melford is of course an integral component of Allison Miller's Boom Tic Boom--and Miller, who is "blowing up" these days, almost deserves a section of this post all her own.  To begin with, here's a great mid-career profile by Suzanne Lorge in the February issue of DownBeat, "Allison Miller's Life of Contradictions."  Of course Boom Tic Boom's latest, Glitter Wolf, has been out for a few months now, but Miller is just as busy these days with a new band co-led by BTB member Jenny Scheinman, Parlour Games, whose debut is set for release on Royal Potato Family in June.  (You can listen to a teaser track when you hit that pre-order link.)

Monday, March 14, 2016

News of Past Guests, Spring Break 2016 Edition

Michael Blake's new album, Fulfillment, a suite of compositions for large ensemble on the themes of immigration and exclusion, is out on the Canadian label Songlines. Read about the project at the label's website, where you can also download a free track. Here's another cut, "Sea Shanty"--



--which is one of three tunes from Fulfillment that are part of a Michael Blake playlist at Songlines' Soundcloud page.

The New York Times calls Melissa Aldana's brand-new release, Back Homeher "finest album" yet. It's available at the usual online vendors (and, if you ask for it, at your local record store). Read the transcript of an amazing conversation between her and Sonny Rollins at Burning Ambulance.


The April issue of Jazz Times focuses on bassists--and it includes profiles of Chris Lightcap (Chris Lightcap's Bigmouth, Regina Carter's Southern Comfort) and Scott Colley (Antonio Sanchez Migration), a "Before and After" listening session with Eureka's own Trevor Dunn (Nels Cline Singers), and Linda Oh picking (and discussing) some of her favorite bass duo tracks. Select content from the magazine will go online April 5.

And speaking of bassists: out March 18 from Omer Avital is Abutbul Music. (Abutbul is one of Avital's ancestral surnames.) DownBeat magazine's "Editor's Choice" review says that some of the album's tunes mix genres, "mov[ing] through various guises, switching rhythms and meters with a dancer’s precision," while "[o]thers hone in on a single genre and explore it through Avital’s distinctly groove-filtered lens."  Case in point: "Bed-Stuy," which "incorporates hushed, Mingus-flavored swing":




Preparing for his last record, Intents and Purposes (an album of acoustic covers of classic 70s fusion tunes), inspired guitarist Rez Abbasi to compose some electric "fusion" of his own. The results are on a new album, Behind the Vibration, out May 20th:



Finally: the Donny McCaslin Group is the subject of a story on the cover of the May issue of DownBeat (the same issue also contains an interview with drummer Allison Miller). 


Donny and the rest of the band also talked about their experience with the late David Bowie (they're the core group on Bowie's celebrated swan song, Blackstar) on a recent episode of The New Yorker Radio Hour:

Saturday, February 28, 2015

News of Past Guests, March 2015

It's been awhile.  So without any further ado:

Antonio Sanchez's arresting score for the Oscar-winning Birdman was disqualified--on an ill-conceived technicality--from consideration for a well-deserved award.  Still, you can buy a copy of the score for yourself and appreciate it all you like.



In better news: the results of the 2014 Expanded Jazz Times Critics Poll came out in the March 2015 issue, and who should we find at the top of the list?  Best New Artist: Melissa Aldana.  Artist of the Year: Miguel Zenón.  Farther down: Best trumpeter: Ambrose Akinmusire.  Tenor Sax: Mark Turner.  Alto Sax: Miguel Zenón again.  Clarinet: Anat Cohen.  Violin: Regina Carter.  Drums: Brian Blade (Joel Harrison).  Female Vocalist: Cécile McLorin Salvant.  Podcast: A Noise From the Deep with Dave Douglas.  We'll try not to break our arms patting our own backs--but you gotta admit, we do know how to pick 'em.

And elsewhere:

Joel Harrison, who organized the Alt Guitar Summit in New York in February, speaks with guitar god Nels Cline on the latest episode of his podcast, Say What You Mean.

Also in February, René Marie was Michael Feinstein's guest on NPR's Song Travels, performing duets with Michael and talking about Eartha Kitt.

On March 4, Anat Cohen performed on NPR's Jazz Night in America with her group Choro Aventuroso, which plays the improvisatory Afro-Brazilian instrumental music known as "choro." You can stream that program by following the link above, and you can order the band's new album, Luminosa, at the Anzic Records Bandcamp store (and preview three tracks from the album right here):



And speaking of new albums, trumpeter Eddie Henderson (The Cookers) and The Vijay Iyer Trio both have new releases.  (The New York Times says Iyer's album, Break Stuff, "confirms his stature in jazz's contemporary vanguard, along with the dynamic excellence of his working trio.") The new incarnation of Harris Eisenstadt's "Golden State" features Trio M's Mark Dresser and Humboldt's own Michael Moore on Golden State II (you can stream two tracks and download one at the Songlines Records website.) Dafnis Prieto's Sextet--who played maybe the most exciting set we heard at this year's WinterJazzFest in New York--has some terrific new tunes on Triangles and CirclesAnd guitarist Rez Abbasi, the subject of a feature in the March issue of DownBeat, has a fantastic new record with his Acoustic Quartet. With a nod to the late, great Bill Dixon, he entitled it Intents and Purposes. It's available from all the usual suspects: iTunes, Amazon, eMusic, etc.--and, if you're an audiophile, at HD download sites like Pro Studio Masters and Qobuz. Here's the Video EPK:



Chris Lightcap's Bigmouth just released Epicenter on the always hip Clean Feed label.  The title track and two others are available for streaming:





Finally, to our great shame, we never got around to plugging what was probably our favorite album of 2014, Michael Blake's brilliant, swinging tribute to Hawk & Prez, Tiddy Boom:


Thursday, June 26, 2014

News of Past Guests, Summer 2014 Edition

New albums:

Eclectic, prolific, endlessly creative guitarist-composer Joel Harrison has a new disc, Mother Stump, with covers of tunes by Luther Vandross, Paul Motian, and Leonard Cohen, among others. You can nab the album at Cuneiform Records' Bandcamp site. And you can stream Harrison's cover of the traditional gospel blues "John the Revelator" right here:



Some people are putting David Binney's new one on Criss Cross, Anacapa, among the restless alto saxophonist's all-time best.  Brad Farberman, for instance, in a profile of Binney, "The Long Haul," in the June issue of Jazz Times.

When we saw pianist Fred Hersch in New York in January, he hinted that he might be naming his upcoming trio album on Palmetto after a certain city by the bay in Humboldt County. Looks like we have to settle for one tune. (We'll take it! See Track 6: "a regal, bracing straight-eighths piece [that] took its name from a Northern California [town] famed for its beautiful giant redwoods," as Peter Hum described it.) In the end, Fred entitled the album Floating, and it hit the streets (and the online stores) in mid-July. Jazz critic Kevin Whitehead reviewed the album on NPR's Fresh Air, Scott Simon interviewed Fred for a feature story on Weekend Edition, and you can buy the album from Palmetto Records.

Old friends & collaborators, trumpeter Dave Douglas and keyboardist Uri Caine, issued an album of duets, Present Joys, inspired by the tradition of "shape-note" singing, on July 22.  You can hear a preview at Radio France's France Musique site or at the Greenleaf Music store.

Finally: saxophonist Michael Blake stopped by WBGO's The Checkout a few weeks ago with his trio "World Time Zone" (Ben Allison, bass and Ferenc Nemeth, drums) to play music from his latest project: music inspired by sax legends Coleman Hawkins and Lester Young.  Also on The Checkout of late: Tom Harrell's chamber-jazz project "Colors of a Dream," recorded live at the 2014 Montreal Jazz Festival. Harrell also has a new album, Trip, out on HighNote, with Mark Turner, Ugonna Okegwo, and Adam Cruz.

And speaking of Turner: on September 9th, the highly regarded tenor saxophonist (and member of the trio FLY) releases his debut as a leader on ECM, Lathe of Heaven, with a quartet featuring trumpeter Avishai Cohen and two other RJA alumni, Joe Martin (bass) and Marcus Gilmore (drums).



(Kevin Whitehead reviews the album on NPR's Fresh Air with Terry Gross.) A week later, it's the latest release from Kenny Werner, Coalition, with a band that includes Lionel Loueke and Miguel Zenon (who, coincidentally, are two-thirds of the trio on Mark Turner's FLY-mate Jeff Ballard's latest album...)

And in other news...

Not all of them are people, but of the "80 Coolest Things in Jazz Today" (according to DownBeat magazine--it's their 80th anniversary, see?), Humboldt County has experienced nearly 10% of them--viz., Ambrose Akinmusire, Vijay Iyer, Dave Douglas, Han Bennink, Instant Composers Pool, Fred Hersch, and Tony Malaby--under the auspices of the RJA.  Read all about it in the July issue.

RJA guests are also well represented in this year's DownBeat Critics Poll, whose results will be published in the August issue. Rising--make that skyrocketing--star vocalist Cécile McLorin Salvant, whom we will co-host with Center Arts in September in a special pre-season show--fairly cleaned up in the poll:


Other RJA-veteran category-toppers:
  • Ambrose Akinmusire, Trumpet
  • Joe Lovano, Tenor Sax
  • Anat Cohen, Clarinet
  • Vijay Iyer, Piano
  • Regina Carter, Violin
  • Wayne Escoffery, Rising Star Tenor Sax
  • Rudy Royston, Rising Star Drums
  • Matt Moran, Rising Star Vibes
  • Ben Allison, Rising Star Composer
Last: looking for a way to pass the time on a lazy late summer afternoon? Play "Drum Fill Friday" with Quizmaster Matt Wilson, courtesy of NPR's All Songs Considered.