News of Past Guests, Fall 2017 Edition

As we start this post, it's just after Labor Day, so we've put away our white shoes--and begun a new season of concerts and workshops.  (Big love to Matt Wilson and Honey & Salt! And to the Dayna Stephens Quartet featuring Billy Childs! Next up: John Ellis and Double-Wide on November 10th.)  And even though we posted the first edition of this update before summer was officially over on September 21st, we thought it was time for an autumnal edition of the news.

The saddest event we have to report is the death of guitarist John Abercrombie on August 22. Our deep condolences to his family, friends, and fellow musicians.

Here are remembrances from:

• Peter Hum, Ottawa Citizen
• Tom Cole, NPR
• Nate Chinen, The Record (NPR/WBGO)

In happier news: Eureka-born bassist Trevor Dunn (Nels Cline Singers, Endangered Blood) completed a prestigious weeklong residency at John Zorn's soon-to-be-former East Village mecca for new music, The Stone.  (It's moving across town to The New School.)  The New Yorker commented: "Quiet as it's kept, except among the freethinking musicians who depend on his imaginative anddaring playing, the bassist Dunn has been an M.V.P. for both new-jazz and experimental-rock outfits for some four decades now. . . ."

Meanwhile, pianist Fred Hersch spoke with Fresh Air's Terry Gross about his new memoir, Good Things Happen Slowly and his new solo album, Open Book:

Hersch is everywhere these days: read Peter Hum's review of a rare performance of Hersch's Walt Whitman song cycle Leaves of Grass at Lincoln Center.  Elsewhere, at PopMatters, to be exact, Andy Jurk reviews a new album on ECM, Gnosis, by young pianist David Virelles (heard in Arcata in 2011 with the David Binney Quartet). Here's a taste of that album:

At NPR Music, Nate Chinen talks to drummer (and composer of the soundtrack to Birdman) Antonio Sanchez about his new album Bad Hombre. The story includes a streaming track from the album. Sanchez was also guest DJ on a recent edition of NPR's Alt.Latino podcast, and he's on the cover the drummer-centric November issue of Jazz Times.

Meanwhile, NPR Music's "First Listen" recently streamed Rudresh Mahanthappa's new album, Agrima (with his "Indo-Pak Coalition," featuring Rez Abbasi and Dan Weiss, RJA veterans all) in its entirety, ahead of its mid-October release. Not coincidentally, Mahanthappa is on the cover of the November DownBeat, which also includes interviews with Rez Abbasi and Linda May Han Oh. Abbasi, too, has a new album, Unfiltered Universe, with Iyer, Mahanthappa, Weiss, and others:



And Iyer, whose new sextet album Far From Over appeared late this summer to rave reviews (see our previous post), was the focus of the latest Jazz Night in America on NPR, which featured performances from the recent Ojai festival that Iyer directed.

Cécile McLorin Salvant, a big winner in this year's DownBeat Critics Poll (see our last post once again), was the subject of a great cover story by Phillip Lutz, "True Character," in the October issue of DownBeat.

Another RJA genius: drummer-percussionist/composer/polymath Tyshawn Sorey (Myra Melford's Snowy Egret) has been named a 2017 MacArthur Fellow.  Coverage at Jazz Times and NPR, and a profile (including a video) at the MacArthur Foundation.

Around 100 pages of the latest issue of the journal Music & Literature are devoted to saxophonist Mark Turner (of the trio Fly).  There are appreciations from twenty fellow musicians, an interview with writer and critic Ben Ratliff, and transcriptions of Turner's music. You can purchase it at the journal's website.

Finally, elsewhere at NPR, you can listen to a rebroadcast of an appearance by trumpeter Dave Douglas on Marian McPartland's Piano Jazz way back in 2000--a publicity warm-up, perhaps, for the release of Douglas's new album (with Anwar Marshall and The Westerlies), Little Giant, Still Life:



(You can also watch a series of interviews about the album with Dave, The Westerlies, and drummer Anwar Marshall at the Greenleaf Music website.)

News of Past Guests, Spring Break 2016 Edition

Michael Blake's new album, Fulfillment, a suite of compositions for large ensemble on the themes of immigration and exclusion, is out on the Canadian label Songlines. Read about the project at the label's website, where you can also download a free track. Here's another cut, "Sea Shanty"--



--which is one of three tunes from Fulfillment that are part of a Michael Blake playlist at Songlines' Soundcloud page.

The New York Times calls Melissa Aldana's brand-new release, Back Home, her "finest album" yet. It's available at the usual online vendors (and, if you ask for it, at your local record store). Read the transcript of an amazing conversation between her and Sonny Rollins at Burning Ambulance.

The April issue of Jazz Times focuses on bassists--and it includes profiles of Chris Lightcap (Chris Lightcap's Bigmouth, Regina Carter's Southern Comfort) and Scott Colley (Antonio Sanchez Migration), a "Before and After" listening session with Eureka's own Trevor Dunn (Nels Cline Singers), and Linda Oh picking (and discussing) some of her favorite bass duo tracks. Select content from the magazine will go online April 5.

And speaking of bassists: out March 18 from Omer Avital is Abutbul Music. (Abutbul is one of Avital's ancestral surnames.) DownBeat magazine's "Editor's Choice" review says that some of the album's tunes mix genres, "mov[ing] through various guises, switching rhythms and meters with a dancer’s precision," while "[o]thers hone in on a single genre and explore it through Avital’s distinctly groove-filtered lens."  Case in point: "Bed-Stuy," which "incorporates hushed, Mingus-flavored swing":

Preparing for his last record, Intents and Purposes (an album of acoustic covers of classic 70s fusion tunes), inspired guitarist Rez Abbasi to compose some electric "fusion" of his own. The results are on a new album, Behind the Vibration, out May 20th:



Finally: the Donny McCaslin Group is the subject of a story on the cover of the May issue of DownBeat (the same issue also contains an interview with drummer Allison Miller). 

Donny and the rest of the band also talked about their experience with the late David Bowie (they're the core group on Bowie's celebrated swan song, Blackstar) on a recent episode of The New Yorker Radio Hour: