News of Past Guests, Summer 2019 Edition

As we first put fingers to keyboard, it was the day after Memorial Day, and that's the unofficial start of summer, right?  Besides, our Spring post was getting so packed that Blogger told us we'd exceeded the limit on "tags." So put on your shorts and sandals, grab a gin & tonic, and let's go:

At the Jazz Gallery's Jazz Speaks blog, saxophonist Tony Malaby (Chris Lightcap's Bigmouth) talks about his new collective trio with guitarist Ben Monder (Theo Bleckmann) and drummer Nasheet Waits (Dave Douglas & Brass Ecstasy).

Jazz Speaks also spoke with saxophonist Melissa Aldana, as did Burning Ambulance:



In the August issue of DownBeat you'll find this year's installment of the magazine's prestigious Critics Poll--which, like similar polls by Jazz Times critics and the Jazz Journalists Association (see our Spring Update), lauds plenty of RJA veterans.  For instance?  Cécile McLorin Salvant (whom we presented in 2014 in collaboration with Center Arts) took both Female Vocalist and Jazz Artist of the Year.  The Fred Hersch Trio: Jazz Group of the Year.  Ambrose Akinmusire: trumpet. Miguel  Zénon: alto sax.  Anat Cohen: clarinet.  Regina Carter: violin.  Brian Blade (Joel Harrison and Spirit House): drums.  Adam O'Farrill (Rudresh Mahanthappa's Bird Calls): rising star trumpet.  Dayna Stephens: rising star tenor sax.  Allison Miller: rising star drums.

The July DownBeat had feature articles on Melissa Aldana and clarinetist Anat Cohen, a four-star "Hot Box" featured review of Fabian Almazan's This Land Abounds with Life, and a profile of vocalist and guitarist Camila Meza (Ryan Keberle & Catharsis).  Not to be outdone, the July Jazz Times includes a cover story on saxophonist Chris Potter, a feature on multi-reedist Marty Ehrlich, an interview with multi-instrumentalist Scott Robinson, and a "Before and After" listening session with saxophonist Dayna Stephens.

On May 31, Meza released her fifth album as a leader and her first on Sony Masterworks, Ámbar.  In April, DownBeat previewed a tune from the album as part of its online "First Listen" series, while back in 2018 The Pace Report interviewed Meza (and recorded her in performance) when she debuted her Nectar Orchestra at the APAP conference in New York:

The Chilean-born guitarist-vocalist-composer-bandleader also came in for special praise from NPR's "Alt.Latino" recently, after she appeared with her new project on NPR's Jazz Night in America:

Meza also continues her work with Keberle's Catharsis on The Hope I Hold, due out June 28. Here's a video of the album's first single, "Despite the Dream":

Elsewhere in print: in the July/August Jazz Times, Andrew Gilbert writes about vocalist Claudia Villela's recent travails and her latest album ("Into the Fire, and Out Again").  And in the June DownBeat, Suzanne Lorge had a short feature ("Sanchez's Borderless Music") on drummer Antonio Sánchez and Migration's Lines in the Sand, a timely album about border issues, as well as a long profile ("Seeking Unity") of bassist Linda May Han Oh (about whom Steve Futterman also said nice things in a recent issue of the New Yorker), while Bill Milkowski highlighted guitarist Ben Monder's Day After Day, a double album (one solo, one trio) of imaginative covers.



More drummer news: Johnathan Blake (Omer Avital Quintet), featured on the Straight No Chaser podcast, just released his third album as a leader, Trion, a double live set with two other RJA alums, tenor saxophonist Chris Potter and bassist Linda May Han Oh (each of whom has recent new releases of their own; see our Spring 2019 update):




And drummer Allison Miller was interviewed for both Burning Ambulance, and DownBeat, where she spoke (among other things) about "Parlour Games," her quartet co-led with Jenny Scheinman.  (See our previous update).  And drummer--well, multi-instrumentalist--Tyshawn Sorey (Myra Melford's Snowy Egret) was recetnly the object of praise (Steve Smith, "Composer Portrait") and the subject of a profile (Alex Ross, "The Shape-Shifting Music of Tyshawn Sorey") in The New Yorker.

Miscellaneous new releases:

• The Marcus Shelby Jazz Orchestra, Transitions
• David Berkman Sextet, Six of One:

News of Past Guests, Spring 2019 Edition

Spring can really hang you up the most.  But let's not dwell on that.  Instead, let's get right to it, shall we?  In no particular order:

A belated discovery: last summer, saxophonist Michael Blake wrote a brilliant profile/appreciation of tubaist extraordinaire Marcus Rojas (Dave Douglas's Brass Ecstasy) for All About Jazz.

In other tenor sax news: Noah Preminger has a new album, After Life, with Jason Palmer, Kim Cass, Max Light, and Rudy Royston; you can order it here.  While you're at it, go to CD Baby and check out trumpeter Palmer's new double-CD, Rhyme and Reason. (Listen to a track on Soundcloud, first, if you like:)



At CD Baby you can also find Preminger's Chopin Project CD, part of his "Dead Composers Society" project, co-led with drummer Rob Garcia.  And by the way: there's a profile of Preminger, "Perpetual Motion Machine," by Dan Ouellette in the April issue of DownBeat.

There's also a new one from multi-instrumentalist Scott Robinson (Ryan Keberle and Catharsis), Tenormore, with Helen Sung, Martin Wind, and Dennis Mackrel.  It's available here.



Keberle's Catharsis itself (with Robinson, Camila Meza, Jorge Roeder, and Eric Doob) will see the release The Hope I Hold on June 28.  Read all about it at Greenleaf Records (and read an interview with Keberle at Jazz Speaks).

And tenor saxophonist Melissa Aldana just unveiled her Visions:



Meanwhile, you can listen to drummer Bill Stewart's latest, Band Menu, with Walter Smith III and Larry Grenadier, on Soundcloud before purchasing it at CD Baby (where you can also find also saxophonist Miguel Zenón's Grammy-nominated Yo Soy La Tradición, featuring the Spektral Quartet).

Guitarist Joel Harrison assembled an all-star crew of RJA veterans (including David Binney, Uri Caine, Chris Tordini, Stephan Crump, Brian Blade, and Allison Miller, with guest spots by Nels Cline and Theo Bleckmann, among others) for Angel Band, the third volume of his "Free Country" series, featuring jazz-inflected arrangements of classic country tunes. Buy it from Joel; watch a promo video here.

Trumpeter Ralph Alessi has reconvened his quintet This Against That for his third outing on ECM, Imaginary Friends.  (Fly Trio bassist Larry Grenadier, meanwhile, has done a solo session for ECM entitled The Gleaners.)

Trumpeter Dave Douglas, meanwhile, has three new releases on his Greenleaf label: Brazen Heart: Live at Jazz Standard (capturing a five-night run with his most recent quintet), UPLIFT: Twelve Pieces for Positive Action in 2018 (with frequent partner Joe Lovano and the twin guitars of Julian Lage and Mary Halvorson), and Devotion, a trio record with Uri Caine and Andrew Cyrille.

Antonio Sanchez and Migration's Lines in the Sand, says jazz writer Brian Morton, "makes its strong point" about xenophobia and immigration "without surrendering even a fraction of its musicality." Hear more in this NPR story:




Bassist Linda May Han Oh talks to Burning Ambulance about many things, including her latest album, Aventurine:



And finally (in the "new releases" department, anyway):

• Anat Cohen Tentet, Triple Helix
• Joe Martin (Anat Cohen), Étoilée (interview with Jazz Speaks | profile by Ken Micallef in Jazz Times)
• Tom Harrell, Infinity (review by Kevin Whitehead on NPR's Fresh Air)
• Chris Potter, Circuits (feature story in DownBeat | Jazz Times | EPK on YouTube)
• Craig Taborn (Michael Formanek) and Vijay Iyer, The Transitory Poems (short feature in DownBeat)

Shall we talk awards? The Jazz Times Critics Picks put albums by a bunch of RJA vets in its Top 10 albums of 2018: Ambrose Akinmusire (Origami Harvest, #2), Myra Melford's Snowy Egret (The Other Side of Air, #3), Cecile McLorin Salvant (The Window, #5), Ron Miles (with Joshua Redman, Scott Colley, and Brian Blade in Still Dreaming, #6), and Miguel Zenón (Yo Soy La Tradicion, #10).  More recently, the Jazz Journalists Association recognized Linda May Han Oh as Up and Coming Musician of the Year and Bassist of the Year, Cecile McLorin Salvant as Female Vocalist of the Year, Scott Robinson as Multi-Reeds Player of the Year and Player of the Year of Instruments Rare in Jazz, Miguel Zenon as Alto Saxophonist of the Year, Chris Potter as Tenor Saxophonist of the Year, Anat Cohen as Clarinetist of the Year, and Brian Blade as Traps Drummer of the Year.

That same issue of Jazz Times (February 2019) had a long-overdue profile of Myra Melford by Matthew Kassel, "Both Sides Now."

Speak of the devil: Melford herself penned a remembrance of the late Cecil Taylor--and vocalist Rene Marie pays tribute to Aretha Franklin--in the March issue of Jazz Times.

In addition to being an important composer and bandleader, Melford is of course an integral component of Allison Miller's Boom Tic Boom--and Miller, who is "blowing up" these days, almost deserves a section of this post all her own.  To begin with, here's a great mid-career profile by Suzanne Lorge in the February issue of DownBeat, "Allison Miller's Life of Contradictions."  Of course Boom Tic Boom's latest, Glitter Wolf, has been out for a few months now, but Miller is just as busy these days with a new band co-led by BTB member Jenny Scheinman, Parlour Games, whose debut is set for release on Royal Potato Family in June.  (You can listen to a teaser track when you hit that pre-order link.)

News of Past Guests, Summer 2018 Edition

I think we begin virtually every other post this way:  "It's been a while."  (You get busy, right?  There are distractions--things going on in the world.)

There's a lot we've missed over the past five or six months, and we won't bother trying to catch up.  But here's what's new right now (we began this post on May 27th, and have added to it since then).

The 2018 Jazz Journalists Association Awards were announced a couple of weeks ago, and if you've been following the Redwood Jazz Alliance for a while, you'll recognize a lot of these names:

• Musician of the Year:  Matt Wilson
• Record of the Yard:  Matt Wilson's Honey and Salt: Music Inspired by the Poetry of Carl Sandburg
• Female Vocalist of the Year: Cecile McLorin Salvant
• Jazz Band of the Year: Vijay Iyer Sextet
• Trumpeter of the Year: Tom Harrell
• Alto Saxophonist of the Year: Miguel Zenon
• Tenor Saxophonist of the Year: Chris Potter
• Baritone Saxophonist of the Year: Claire Daly
• Clarinetist of the Year: Anat Cohen
• Pianist of the Year: Fred Hersch
• Bassist of the Year: Linda May Han Oh
• Player of Instruments Rare in Jazz of the Year: Gary Versace (accordion)

More of the same in the annual DownBeat Critics Poll, whose results were published in the August issue:

• Jazz Artist of the Year: Vijay Iyer
• Jazz Group of the Year: Vijay Iyer Sextet
• Female Vocalist: Cecile McLorin Salvant
• Jazz Album:  Cecile McLorin Salvant's Dreams and Daggers
• Trumpet: Ambrose Akinmusire
• Alto Saxophone: Rudresh Mahanthappa
• Clarinet: Anat Cohen
• Rising Star Drums: Johnathan Blake
• Rising Star Composer: Tyshawn Sorey

Ryan Keberle posted to his Facebook page a couple of videos shot by an audience member at his season-ending April 16 show with Catharsis at the Arcata Playhouse.

In advance of his new book Playing Changes: Jazz for the New Century, former New York Times writer Nate Chinen (now with WGBO and NPR) shares some entries from his list of "The 129 Essential Albums of the Twenty-First Century (So Far)." You can read his very smart assessments of Ben Allison's Peace Pipe (2002); the first outing of John Hollenbeck's The Claudia Quintet (2001); the eponymous debut by AlasNoAxis (2000) the quartet led by drummer Jim Black (Endangered Blood); Perceptual (2000) by the Brian Blade Fellowship (Blade appeared here with Joel Harrison and Spirit House); and Science Friction (2002) by alto saxophonist Tim Berne, a member of the Michael Formanek Quartet.

Lots happening these days at New York's Jazz Gallery (one of our presenting partners for Fabian Almazan under a Chamber Music America/Doris Duke Foundation grant)--which means lots of artists speaking to the Gallery's "Jazz Speaks" blog. For instance: Johnathan Blake, Linda May Han Oh, and Chris Potter dish about their "BOP" Trio.  Joel Harrison comments on his 8th annual Alternative Guitar Summit.  And Melissa Aldana talks about her new commissioned piece, "Visions: For Frida Kahlo." (Aldana, who just recorded an album entitled Doubtless with her new quartet, also took her first "Blindfold Test" in the July issue of DownBeat.)

Speaking of tenor saxophonists: the prolific Noah Preminger has yet another new album out--his third in twelve months, by our count--this one with his "Dead Composers Club" co-led by Rob Garcia (and featuring Nate Radley and Kim Cass).  It's The Chopin Project, the DCC's take on Chopin nocturnes, preludes, and etudes.  Buy it directly from Noah; preview a couple of tracks right here:





Walter Smith III (Ambrose Akinmusire Quintet) has just released his fifth disc as a leader, TWIO, with guest spots from big dogs Joshua Redman and Christian McBride:



And Donny McCaslin, still in the process of reinventing his sound, post-Bowie, releases a new single, "What About the Body," on June 13th.  NPR's All Songs Considered thinks it's the most exciting example of "art rock" they've heard in a good long while.

Meanwhile, young trumpeter Adam O'Farrill (Rudresh Mahanthappa's Bird Calls) takes a leap forward on a new album, El Maquesh, with his group Stranger Days.  Hear Kevin Whitehead's review on NPR's Fresh Air with Terry Gross, and hear some tracks on Bandcamp:




Much more to come; stay tuned.

News of Past Guests, Summer 2016 Edition

Jazz critic Kevin Whitehead has a smart appreciation of Matt Wilson's Big Happy Family on NPR's Fresh Air with Terry Gross:


And in other drummer news: Allison Miller talks with Drew Miller about Otis Was a Polar Bear on his Wing Walker Music podcast.

RJA veterans included in DownBeat's July feature story, "25 for the Future" include saxophonist Melissa Aldana; drummers Marcus Gilmore (Vijay Iyer Trio), Tyshawn Sorey (Myra Melford's Snowy Egret), Justin Brown (Ambrose Akinmusire Quintet) and Mark Guiliana (Donny McCaslin Group); and guitarist Matthew Stevens (Linda Oh's Sun Pictures).

Meanwhile, as usual, our past guests are well represented in the 64th annual DownBeat International Critics Poll, whose winners include Vijay Iyer (Jazz Artist of the Year), Ambrose Akinmusire (Trumpet), Anat Cohen (Clarinet), Regina Carter (Violin), and Cécile McLorin Salvant (Female Vocalist). "Rising Stars" include Tim Lefebvre (Electric Bass), Mark Guiliana (Drums), and Liberty Ellman (Guitar). 142 writers, journalists, and critics from around the world participated in the poll.

On August 12, Réne Marie stopped into the NPR studios in Washington to perform a set for the Tiny Desk Concert:

Finally, in album news: guitarist Charlie Hunter assembled a new quartet with Kirk Knuffke, trumpet; Marshall Fowlkes, trombone; and Bobby Previte, drums, for a CD on the GroundUP Music label entitled Everybody Has a Plan Until They Get Punched In the Mouth. Here's a track:

And Entertainment Weekly,  Rolling Stone, and Pitchfork are among those touting Donny McCaslin's forthcoming album, Beyond Now, due out in October, which will include two Bowie covers, "Warszawa" and "A Small Plot of Land." You can read an interview with Donny (and hear "Small Plot") at EW, and you can pre-order the album from Motema.

News of Past Guests, Spring Break 2016 Edition

Michael Blake's new album, Fulfillment, a suite of compositions for large ensemble on the themes of immigration and exclusion, is out on the Canadian label Songlines. Read about the project at the label's website, where you can also download a free track. Here's another cut, "Sea Shanty"--



--which is one of three tunes from Fulfillment that are part of a Michael Blake playlist at Songlines' Soundcloud page.

The New York Times calls Melissa Aldana's brand-new release, Back Home, her "finest album" yet. It's available at the usual online vendors (and, if you ask for it, at your local record store). Read the transcript of an amazing conversation between her and Sonny Rollins at Burning Ambulance.

The April issue of Jazz Times focuses on bassists--and it includes profiles of Chris Lightcap (Chris Lightcap's Bigmouth, Regina Carter's Southern Comfort) and Scott Colley (Antonio Sanchez Migration), a "Before and After" listening session with Eureka's own Trevor Dunn (Nels Cline Singers), and Linda Oh picking (and discussing) some of her favorite bass duo tracks. Select content from the magazine will go online April 5.

And speaking of bassists: out March 18 from Omer Avital is Abutbul Music. (Abutbul is one of Avital's ancestral surnames.) DownBeat magazine's "Editor's Choice" review says that some of the album's tunes mix genres, "mov[ing] through various guises, switching rhythms and meters with a dancer’s precision," while "[o]thers hone in on a single genre and explore it through Avital’s distinctly groove-filtered lens."  Case in point: "Bed-Stuy," which "incorporates hushed, Mingus-flavored swing":

Preparing for his last record, Intents and Purposes (an album of acoustic covers of classic 70s fusion tunes), inspired guitarist Rez Abbasi to compose some electric "fusion" of his own. The results are on a new album, Behind the Vibration, out May 20th:



Finally: the Donny McCaslin Group is the subject of a story on the cover of the May issue of DownBeat (the same issue also contains an interview with drummer Allison Miller). 

Donny and the rest of the band also talked about their experience with the late David Bowie (they're the core group on Bowie's celebrated swan song, Blackstar) on a recent episode of The New Yorker Radio Hour:

News of Past Guests, September 2015 Edition

Fall!  (Almost.)  Let's get right to it:

Ivan Cordoba has made a short film about Melissa Aldana called Bridges, and you can watch it at Artpop Studio (and right here):

(Bridges from Ivan Cordoba on Vimeo)

Wayne Horvitz has a new album out in time for his 60th birthday--and he's celebrating by giving away 52 free tracks (one each week).  Read all about it.

You know by now that RJA veterans show up in the jazz monthlies on a pretty regular basis. The latest to do so is Fred Hersch, the subject of a cover story in the October issue of DownBeat.

That same number includes a feature on Cécile McLorin Salvant, who is marking the release of a fabulous new album, For One to Love, on Mack Avenue Records.  It's a serious contender for jazz record of the year.  See a "trailer" for the album on Salvant's website, and watch a video of a track from the album right here:

Actually, there's a bunch of new albums out (or about to be), including one from the Dave Douglas Quintet, Brazen Heart.  Here's the title track:

Meanwhile, Kevin Whitehead reviewed the fourth album by Harris Eisenstadt's Canada Day on NPR's Fresh Air with Terry Gross:

(You can stream three tracks from Canada Day IV--and download one, for free--at the Songlines Records site.  Ditto for Wayne Horvitz's new one, some places are forever afternoon.)

News of Past Guests, March 2015

It's been awhile.  So without any further ado:

Antonio Sanchez's arresting score for the Oscar-winning Birdman was disqualified--on an ill-conceived technicality--from consideration for a well-deserved award.  Still, you can buy a copy of the score for yourself and appreciate it all you like.



In better news: the results of the 2014 Expanded Jazz Times Critics Poll came out in the March 2015 issue, and who should we find at the top of the list?  Best New Artist: Melissa Aldana.  Artist of the Year: Miguel Zenón.  Farther down: Best trumpeter: Ambrose Akinmusire.  Tenor Sax: Mark Turner.  Alto Sax: Miguel Zenón again.  Clarinet: Anat Cohen.  Violin: Regina Carter.  Drums: Brian Blade (Joel Harrison).  Female Vocalist: Cécile McLorin Salvant.  Podcast: A Noise From the Deep with Dave Douglas.  We'll try not to break our arms patting our own backs--but you gotta admit, we do know how to pick 'em.

And elsewhere:

Joel Harrison, who organized the Alt Guitar Summit in New York in February, speaks with guitar god Nels Cline on the latest episode of his podcast, Say What You Mean.

Also in February, René Marie was Michael Feinstein's guest on NPR's Song Travels, performing duets with Michael and talking about Eartha Kitt.

On March 4, Anat Cohen performed on NPR's Jazz Night in America with her group Choro Aventuroso, which plays the improvisatory Afro-Brazilian instrumental music known as "choro." You can stream that program by following the link above, and you can order the band's new album, Luminosa, at the Anzic Records Bandcamp store (and preview three tracks from the album right here):



And speaking of new albums, trumpeter Eddie Henderson (The Cookers) and The Vijay Iyer Trio both have new releases.  (The New York Times says Iyer's album, Break Stuff, "confirms his stature in jazz's contemporary vanguard, along with the dynamic excellence of his working trio.") The new incarnation of Harris Eisenstadt's "Golden State" features Trio M's Mark Dresser and Humboldt's own Michael Moore on Golden State II (you can stream two tracks and download one at the Songlines Records website.) Dafnis Prieto's Sextet--who played maybe the most exciting set we heard at this year's WinterJazzFest in New York--has some terrific new tunes on Triangles and Circles. And guitarist Rez Abbasi, the subject of a feature in the March issue of DownBeat, has a fantastic new record with his Acoustic Quartet. With a nod to the late, great Bill Dixon, he entitled it Intents and Purposes. It's available from all the usual suspects: iTunes, Amazon, eMusic, etc.--and, if you're an audiophile, at HD download sites like Pro Studio Masters and Qobuz. Here's the Video EPK:



Chris Lightcap's Bigmouth just released Epicenter on the always hip Clean Feed label.  The title track and two others are available for streaming:





Finally, to our great shame, we never got around to plugging what was probably our favorite album of 2014, Michael Blake's brilliant, swinging tribute to Hawk & Prez, Tiddy Boom:

News of Future Guests II

On a recent episode of WBGO's The Checkout, we hear Miguel Zenón (November 12th) play the suite that forms the centerpiece of his forthcoming album Identities Are Changeable, recorded live at this year's Newport Jazz Festival.  Zenón, who's on the cover of this month's DownBeat magazine, was also on All Things Considered recently, talking about the piece:


On November 5th, one week before Zenón arrives in Arcata, his Newport performance will be featured on NPR's brand-new jazz showcase, Jazz Night In America. (Read more about Jazz Night, a weekly radio show and video webcast, here, and find out more about Identities Are Changeable on the project's Kickstarter page, from a short YouTube teaser, or in the full EPK below:)




Melissa Aldana (February 3, 2015) is an admirer, onetime student, and former labelmate of Greg Osby. Aldana's latest record with her Crash Trio has been out on Concord Jazz for a few months already, and back in August, Kevin Whitehead reviewed it on NPR's Fresh Air with Terry Gross:



Finally, trombonist Ryan Keberle's new album with Catharsis (April 13th, 2015), Zone, is out and available for purchase on Bandcamp. (And it's getting great reviews!)