News of Past Guests, Spring 2019 Edition

Spring can really hang you up the most.  But let's not dwell on that.  Instead, let's get right to it, shall we?  In no particular order:

A belated discovery: last summer, saxophonist Michael Blake wrote a brilliant profile/appreciation of tubaist extraordinaire Marcus Rojas (Dave Douglas's Brass Ecstasy) for All About Jazz.

In other tenor sax news: Noah Preminger has a new album, After Life, with Jason Palmer, Kim Cass, Max Light, and Rudy Royston; you can order it here.  While you're at it, go to CD Baby and check out trumpeter Palmer's new double-CD, Rhyme and Reason. (Listen to a track on Soundcloud, first, if you like:)



At CD Baby you can also find Preminger's Chopin Project CD, part of his "Dead Composers Society" project, co-led with drummer Rob Garcia.  And by the way: there's a profile of Preminger, "Perpetual Motion Machine," by Dan Ouellette in the April issue of DownBeat.

There's also a new one from multi-instrumentalist Scott Robinson (Ryan Keberle and Catharsis), Tenormore, with Helen Sung, Martin Wind, and Dennis Mackrel.  It's available here.



Keberle's Catharsis itself (with Robinson, Camila Meza, Jorge Roeder, and Eric Doob) will see the release The Hope I Hold on June 28.  Read all about it at Greenleaf Records (and read an interview with Keberle at Jazz Speaks).

And tenor saxophonist Melissa Aldana just unveiled her Visions:



Meanwhile, you can listen to drummer Bill Stewart's latest, Band Menu, with Walter Smith III and Larry Grenadier, on Soundcloud before purchasing it at CD Baby (where you can also find also saxophonist Miguel Zenón's Grammy-nominated Yo Soy La Tradición, featuring the Spektral Quartet).

Guitarist Joel Harrison assembled an all-star crew of RJA veterans (including David Binney, Uri Caine, Chris Tordini, Stephan Crump, Brian Blade, and Allison Miller, with guest spots by Nels Cline and Theo Bleckmann, among others) for Angel Band, the third volume of his "Free Country" series, featuring jazz-inflected arrangements of classic country tunes. Buy it from Joel; watch a promo video here.

Trumpeter Ralph Alessi has reconvened his quintet This Against That for his third outing on ECM, Imaginary Friends.  (Fly Trio bassist Larry Grenadier, meanwhile, has done a solo session for ECM entitled The Gleaners.)

Trumpeter Dave Douglas, meanwhile, has three new releases on his Greenleaf label: Brazen Heart: Live at Jazz Standard (capturing a five-night run with his most recent quintet), UPLIFT: Twelve Pieces for Positive Action in 2018 (with frequent partner Joe Lovano and the twin guitars of Julian Lage and Mary Halvorson), and Devotion, a trio record with Uri Caine and Andrew Cyrille.

Antonio Sanchez and Migration's Lines in the Sand, says jazz writer Brian Morton, "makes its strong point" about xenophobia and immigration "without surrendering even a fraction of its musicality." Hear more in this NPR story:




Bassist Linda May Han Oh talks to Burning Ambulance about many things, including her latest album, Aventurine:



And finally (in the "new releases" department, anyway):

• Anat Cohen Tentet, Triple Helix
• Joe Martin (Anat Cohen), Étoilée (interview with Jazz Speaks | profile by Ken Micallef in Jazz Times)
• Tom Harrell, Infinity (review by Kevin Whitehead on NPR's Fresh Air)
• Chris Potter, Circuits (feature story in DownBeat | Jazz Times | EPK on YouTube)
• Craig Taborn (Michael Formanek) and Vijay Iyer, The Transitory Poems (short feature in DownBeat)

Shall we talk awards? The Jazz Times Critics Picks put albums by a bunch of RJA vets in its Top 10 albums of 2018: Ambrose Akinmusire (Origami Harvest, #2), Myra Melford's Snowy Egret (The Other Side of Air, #3), Cecile McLorin Salvant (The Window, #5), Ron Miles (with Joshua Redman, Scott Colley, and Brian Blade in Still Dreaming, #6), and Miguel Zenón (Yo Soy La Tradicion, #10).  More recently, the Jazz Journalists Association recognized Linda May Han Oh as Up and Coming Musician of the Year and Bassist of the Year, Cecile McLorin Salvant as Female Vocalist of the Year, Scott Robinson as Multi-Reeds Player of the Year and Player of the Year of Instruments Rare in Jazz, Miguel Zenon as Alto Saxophonist of the Year, Chris Potter as Tenor Saxophonist of the Year, Anat Cohen as Clarinetist of the Year, and Brian Blade as Traps Drummer of the Year.

That same issue of Jazz Times (February 2019) had a long-overdue profile of Myra Melford by Matthew Kassel, "Both Sides Now."

Speak of the devil: Melford herself penned a remembrance of the late Cecil Taylor--and vocalist Rene Marie pays tribute to Aretha Franklin--in the March issue of Jazz Times.

In addition to being an important composer and bandleader, Melford is of course an integral component of Allison Miller's Boom Tic Boom--and Miller, who is "blowing up" these days, almost deserves a section of this post all her own.  To begin with, here's a great mid-career profile by Suzanne Lorge in the February issue of DownBeat, "Allison Miller's Life of Contradictions."  Of course Boom Tic Boom's latest, Glitter Wolf, has been out for a few months now, but Miller is just as busy these days with a new band co-led by BTB member Jenny Scheinman, Parlour Games, whose debut is set for release on Royal Potato Family in June.  (You can listen to a teaser track when you hit that pre-order link.)

News of Past Guests, Holiday 2018 Edition

It's been a while since we did a roundup of our past guests' recent activity, and after such a long pause, it's hard to catch up.  What follows, then, is more selective than comprehensive.

December is, among other things, the "Best Of" season. NPR's "50 Best Albums of 2018" include the new record by Myra Melford's Snowy Egret, The Other Side of Air, as well as Ambrose Akinmusire's Origami Harvest. (In his "Favorite Albums of 2018," former New York Times and Jazz Times jazz writer Nate Chinen, now Director of Editorial Content for NPR's flagship jazz station WBGO in Newark, New Jersey, also favored Akinmusire and Melford, as well as Cécile McLorin Salvant and Dan Weiss.)

The New York Times's "The Best Jazz of 2018" likewise includes Akinmusire and Melford, along with albums by Justin Brown (Akinmusire's longtime friend and drummer), Allison Miller (with Carmen Staaf), the John Hollenbeck Large Ensemble, and Cécile McLorin Salvant.

Salvant is also included among Rolling Stone's (well, veteran jazz critic Hank Shteamer's) 20 Best Jazz Albums of 2018, together with Dan Weiss's Starebaby and Still Dreaming, Joshua Redman's all-star tribute to the band Old and New Dreams, whose lineup also includes RJA alumni Ron Miles, Scott Colley, and Brian Blade.

Ambrose Akinmusire and Myra Melford are also high atop the Jazz Times Top 50, with Salvant, Still Dreaming, and Miguel Zenon not far behind.  (Other RJA vets on the list: David Virelles, Tyshawn Sorey, Dan Weiss, Noah Preminger, Martin Wind, Gilad Hekselman, and Chris Lightcap.) At the Ottawa Citizen, Peter Hum singles out Frank Kimbrough, Ben Wendel (Linda Oh's Sun Pictures), Noah Preminger (with Frank Carlberg), and Myra Melford.

Finally, Dave Sumner's "Best Jazz Albums of 2018 [on Bandcamp]" include both the John Hollenbeck Large Ensemble's All Can Work and Anat Cohen & Fred Hersch's Live in Healdsburg.


Recent Interviews:
Jazz Speaks spoke to Jamie Baum, The Jazz Session hung with Helen Sung (so did WBGO's Salon Sessions), and Straight No Chaser chased down Ben Allison and Rudy Royston.  Royston was plugging a new album, Flatbed Buggy, which had a featured review in DownBeat and an Editor's Pick in Rolling Stone. Sung, meanwhile, was touting her collection of settings of Dana Gioia poems, Sung With Words, which was also featured on NPR's First Listen in the week preceding its release.





Other notable new releases include Frank Kimbrough's magisterial, multi-volume set of the complete compositions of Thelonious Monk, Monk's Dreams:



and Miguel Zenón's collaboration with the Spektral Quartet, Viejo:



At WBGO, Nate Chinen previewed Viejo--and in his onlin "Take 5" column, he featured first Rudy Royston and Myra Melford, then Tyshawn Sorey and Allison Miller.

And speaking (once more!) of Allison Miller: the Thanksgiving episode of NPR's Jazz Night in America showcased the supergroup "Artemis," with Allison Miller, Anat Cohen, and Cecile McLorin Salvant.

News of Past Guests, 2016 Holiday Edition

Just in time for the holidays--well, just in time for the solstice--pianist Frank Kimbrough has released a beautiful trio album, Solstice (Pirouet), with bassist Jay Anderson and drummer Jeff Hirschfield. Here's the title track:



Pianist Uri Caine, meanwhile, has a new trio with bassist Mark Helias and drummer Clarence Penn--and a new album, Calibrated Thickness, with cornetist Kirk Knuffke guesting on several tracks. (Buy and listen to samples at CDBaby.)

And speaking of trio albums, drummer Allison Miller plays a big part in two of them just out. The first, Swivel, is by the collective Honey Ear Trio, with bassist Rene Hart, saxophonist Jeff Lederer (now filling founding member Erik Lawrence's shoes), and guest trumpeter Kirk Knuffke.  Two tracks here:



And then there's Lean, with saxophonist Jerome Sabbagh and bassist Simon Jermyn.  Here's a taste of their eponymous debut:



Meanwhile, Miller's group Boom Tic Boom (with RJA vets Myra Melford, Ben Goldberg, Kirk Knuffke, Jenny Scheinman, and Todd Sickafoose) released a video from a recording, made back in May, of their upcoming appearance on WBGO's The Checkout:

(As it happens, Boom Tic Boom bandmate Myra Melford appeared on the November 21 edition of The Checkout, performing solo and talking about her own band Snowy Egret.)

Guitarist Rez Abbasi appeared in a live webcast from New York City's Asia Society on Friday, December 16 with his band Invocation, featuring fellow RJA veterans Rudresh Mahanthappa, Vijay Iyer, Johannes Weidenmuller, and Dan Weiss. The concert of music from the band's upcoming release Unfiltered Universe was previewed with a profile and interview in the Village Voice, and you can watch an archive of the webcast (the band comes on around 12'30"):

Finally: the 2016 Jazz Critics Poll, facilitated as always by Francis Davis and hosted (for the 4th year in a row) by NPR, may be dominated by what Davis calls the "avant elders."  But the Top 10 also include records by past guests Vijay Iyer, Michael Formanek, Nels Cline, and Matt Wilson.  Keep going into the top 50 and you'll see Tyshawn Sorey, Tom Harrell, Fred Hersch, Donny McCaslin, Frank Kimbrough, Melissa Aldana, The Cookers, Jeff Parker, and Allison Miller.  (Rene Marie tops the special "Vocal" category; Camila Meza is #3.)  We--and 139 of the world's most knowledgeable jazz writers--can't be wrong. Right?  Happy Holidays!

News of Past Guests, Fall 2016 Edition

Phronesis bassist Jasper Høiby has a new album, Fellow Creatures, on Edition Records; "Bird Is the Worm" blogger Dave Stapleton interviewed Høiby for the indie download site Bandcamp, where you can hear and buy the album. Here's a video for the track "Little Song for Mankind":

On Fresh Air with Terry Gross, guitarist Nels Cline talks about his "with strings" album, Lovers:

Cline's Blue Note debut is also the subject of a feature story in the September DownBeat and a featured interview in the September Jazz Times.

Myra Melford (along with our November 2016 guest, Helen Sung, and others) will be part of "Handful of Keys: A Century of Jazz Piano" at Jazz at Lincoln Center on September 22. JALC promises to make the concert available on its "Livestream" page.

Elsewhere in JALC webspace: Sheila Jordan goes crate-digging:

And speaking of brilliant vocalists: back at the end of August, Cécile McLorin Salvant was featured on NPR's Jazz Night In America:

News of Past Guests, February 2016 Edition

Ryan Keberle & Catharsis have a new album on Greenleaf, Azul Infinito (buy it on Bandcamp). Here's a lovely video of the opening track, "I Thought I Knew":

And a key member of Catharsis, vocalist/guitarist Camila Meza, has an album of her own, Traces. Pre-order from the Sunnyside Records Bandcamp store and stream three tracks below:

In other news: pianist Vijay Iyer is the subject of a profile by Alec Wilkinson in the February 1st issue of The New Yorker. It's called "Time Is a Ghost: Vijay Iyer's Jazz Vision."

March 1-6, Myra Melford becomes the latest RJA veteran to be honored with a weeklong run at New York's storied Village Vanguard (with her band Snowy Egret, which opened our current season last September.) In a preview for the Times, Nate Chinen calls Melford "a pianist-composer of restless imagination and rigorous execution," leading an ensemble whose "ranks consist of improvisers with a keen ear for textural interplay." If by some chance you'll be in New York the first week of March, then go see Myra (and Ron Miles, and Liberty Ellman, and Stomu Takeishi, and Tyshawn Sorey) there and say hello...

More new releases: Allison Miller's new album with Boom Tic Boom, Otis Was a Polar Bear, comes out in April, just days before she shows up in Arcata, BTB in tow. Pre-order it from Royal Potato Family Records, and watch Allison sitting in with the 8G Band on Late Night with Seth Meyers all week long, the week of February 22d (photo here). Here's the album's title track:



Also out in April: Parallax, a new one from Phronesis. Preview/pre-order:



Drummer Dan Weiss's album Sixteen: Drummers Suite honors six legendary jazz drummers. You can buy it on Bandcamp (stream two tracks below), read Nate Chinen's exegesis in Jazz Times, and get Dan's annotations of every track at the Jazz Gallery's website.

Sunnyside Records has reissued (and remastered) a terrific 1987 trio date from Fred Hersch called Sarabande with the late, great Charlie Haden and drummer Joey Baron. The re-release is dedicated to Haden:

And finally, Noah Preminger has a new one dropping soon: Dark Was the Night, Cold Was the Ground. You can pre-order it at his spiffy new website, and get a taste of it right here:

Myra Cures the Summer Doldrums

The vernal flood of new releases (see the last two posts) has slowed to a trickle--appropriate for our drought-stricken state, I suppose.  But thankfully, Myra Melford is quenching our collective thirst with a series of videos from her spring residency at the Stone (John Zorn's famous performance space on New York City's Lower East Side), releasing them at the rate of one per week. Here's an introduction:

And here she is with drummer Allison Miller:

And with flutist Nicole Mitchell and drummer Tyshawn Sorey:

And with multi-reedist Ben Goldberg:

And with Miya Masaoka and Mary Halvorson:

And with the Crush Quartet:

And with the Be Bread Sextet:

And with The Same River, Twice (Chris Speed, Dave Douglas, Erik Friedlander, Michael Sarin):

And with her latest band, Snowy Egret:

And a second tune from The Same River, Twice:

And with Marty Ehrlich:

And finally, her old trio with Lindsey Horner & Reggie Nicholson:

News of Past Guests, Spring Supplement

Too many things going on for one (March) blog post, it being the season of renewal and rebirth and all.

First: our old friend Myra Melford is only the latest RJA alum to be asked to program a week's worth of shows at John Zorn's performance space The Stone, a tiny venue of outsize prestige on Manhattan's Lower East Side.  Call it a mid-career retrospective: duets with Allison Miller, Ben Goldberg, and Marty Ehrlich.  Reunions of her 90s Trio, her Crush Quartet, The Same River, Twice (her quintet with Dave Douglas), and the Be Bread Sextet. And a release party for her newest CD, whose name, like the group that plays on it, is "Snowy Egret" (Ron Miles, cornet; Liberty Ellman, guitar; Stomu Takeishi, bass guitar; and Ted Poor sitting in for Tyshawn Sorey on drums).  Man, we wish we could be there!  Consolation: two tracks from the new album--"The Strawberry" and "Language"--are streaming at Fully Altered Media.

Next RJA vets at The Stone, by the way: weeklong residencies by Scott Amendola and Ben Goldberg in April.

Speaking of Ben Goldberg: he, too, has a new album out--a recording of Orphic Machine, a song cycle commissioned several years ago by Chamber Music America and the Jewish Music Festival. The players include lots of old friends, starting with...Myra Melford and Ron Miles, plus David Breskin, Greg Cohen, Nels Cline, Carla Kihlstedt, Ches Smith, Rob Sudduth, and Kenny Wollesen.  Check out "Line of Less Than Ten" and "Care," also courtesy of Fully Altered Media. Here's a video on the making the album:



And here's "Care" performed live at Freight & Salvage in Berkeley in 2012:


(Details: Ben Goldberg's Orphic Machine "Care" from Black Parrot Productions on Vimeo)

And speaking of publicists and streaming: the set by Dafnis Prieto's Sextet (say that three times fast!) at the Zinc Bar may be the best thing we heard at this year's WinterJazzFest in New York. Thanks to Two for the Show Media, you can preview the group's new album, Triangles and Circles, in its entirety:



Other new albums: saxophonist Tony Malaby (Ralph Alessi's This Against That, Chris Lightcap's Bigmouth) has a new one, Scorpion Eater, with a new quartet, Tubacello. (Sitting in the quartet's drum chair: John Hollenbeck.) Kevin Whitehead reviewed it for NPR's Fresh Air with Terry Gross:



(If you're a Spotify sort of person, you can preview the whole album at Clean Feed's website.) Also: saxophonist Donny McCaslin has a new one, Fast Future, with an old quartet--or at least the same one that played on his last album, the superfunked-up Casting for Gravity. Hear the title track and order the album at Greenleaf Music's Bandcamp Store, and hear Donny talk about making it with Dave Douglas on the Noise from the Deep podcast.

Finally (for now): Anat Cohen, whose new album we told you about last time, appears on NPR's Jazz Night in America with her band Choro Aventuroso on Wednesday, April 1 (no foolin'!).  And Uri Caine was at New York's newest jazz club, Mezzrow, recently, playing a duet with bassist Mark Helias. The club, started by Small's impresario Spike Willner, specializes in piano-bass duos. Here's the evidence (thanks to Karen for the tip!):

News of Past Guests, November Edition

If we'd been keeping up with WBGO's excellent program, The Checkout (one of the places we go regularly to, um, check out what's new in contemporary jazz), we'd have known when we last posted that Ralph Alessi had been featured on the September 25th episode, talking about his new album, Baida, and about illustrious bandleaders with whom he's worked as a sideman. Listen to the segment by following the link above.  And while you're there, why not subscribe to The Checkout's podcast?


Phronesis appeared at Finland's Pori Jazz Festival last summer, and YLE Radio 1 has just posted an audio stream of their 59-minute set.  Listen to it right here until November 21.

Drummers Ches Smith (Chris Lightcap's Bigmouth) and Gerald Cleaver (Michael Formanek Quartet) are both profiled in the November issue of Jazz Times, which typically puts much of the content from its print edition online after a lag of several weeks. The Jazz Times website is also a good place to go for archived articles and breaking news, like this report of Vijay Iyer's imminent ECM debut and the debut performance of Myra Melford's "Language of Dreams," commissioned by the Yerba Buena Center for the Arts, and featuring her new group "Snowy Egret."

Speaking of online content: Dave Douglas's "Listening Test" (from Jazz Times' October issue) has just gone live. Dave shows off his good ears and his broad knowledge of jazz history.

Remember that René Marie Eartha Kitt tribute we told you about last month, I Wanna Be Evil?  It's out, and we're pretty sure it's her best album yet.  (RJA bump? She penned the liner notes just days after her date at the Graves.)  You can find a couple of short video teasers for the album on YouTube, along with this full-length performance of "I'd Rather Be Burned As a Witch," the scorcher that opens the album (as always, we recommend changing the video quality to 1020 HD and watching in full-screen mode):

René talks about making the album on the November 12th edition of Jeffrey Siegel's "Straight No Chaser" podcast (don't be thrown by the two-minute silence after the theme music).  And speaking of podcasts, here's something we didn't mention earlier: this past summer, René did a 19-episode podcast for Jazz Times where she talked frankly and off the cuff about music and...well, all kinds of stuff with Lee Mergner. It's a lot of fun, and you can download every 'cast for free at the iTunes store.

The 3 Cohens--Anat, Avishai, and Yuval--have a new album out on the Anzic label called Tightrope.  You can download it at Anzic's Bandcamp store.  Pianist Fred Hersch joins the Cohen on several tracks, including this one:

Anat is also the guest on the latest edition (November 8) of NPR's Piano Jazz.

[Added November 14th:] Trumpeter Tom Harrell's new album on High Note is called Colors of a Dream. Regular members of his quintet are joined by also saxophonist Jaleel Shaw and second bassist Esperanza Spalding, who adds some airy Portuguese vocals to Harrell's classic "Sail Away":

Multi-reedist Marty Ehrlich, meanwhile, has a new album of works for jazz orchestra called A Trumpet in the Morning.  Members of his "Large Ensemble" include several other RJA visitors: pianist Uri Caine and bassist Drew Gress (Uri Caine Trio), trumpeter Ron Horton (Ben Allison's Man Size Safe), and drummer Matt Wilson.

And speaking of Ben Allison: Ben will be performing with his new quartet (which comprises Steve Cardenas, guitar; Brandon Seabrook, guitar and banjo; and Allison Miller, drums) on WNYC's Soundcheck on Tuesday, November 26th, in support of the band's new album, The Stars Look Very Different Today, due out December 3d (and available in digital format on iTunes and Amazon now).  In the meantime, the Soundcheck blog is streaming a track from the album, "D.A.V.E. (Digital Awareness Vector Emulator)":

The NYT HEARTS Myra Melford

There’s always room in the precincts of improvised music for a new album by the pianist Myra Melford. “The Whole Tree Gone” (Firehouse 12), her first as a leader in more than three years, is a knockout by any standard, including the bar set by her previous work. Ambitious but approachable, suffused with airy warmth and restless calm, it unpacks a suite of lyrical compositions Ms. Melford has been refining since 2004. Their character ranges from slyly furtive (“Moon Bird,” inspired by Miró) to gracefully frantic (the title track) to starkly elegiac (“A Generation Comes and Another Goes”), often shape-shifting in mid-song.

Be Bread, Ms. Melford’s coolly intuitive cohort, girds every structure with a pliable integrity, making these pieces feel both supple and sturdy. The group has a sympathetic front line (and a pair of commanding soloists) in the trumpeter Cuong Vu and the clarinetist Ben Goldberg; its rhythm section consists of the guitarist Brandon Ross and the bassist Stomu Takeishi, both playing acoustic instruments, and the drummer Matt Wilson, an endless fount of effervescence. Ms. Melford leads from within the stir, meting out her pianism in surges or shimmers, according to the music’s needs.

http://www.nytimes.com/2010/01/24/arts/music/24play.html

The Redwood Jazz Alliance Needs Your Help!!!!

Dear Friends,

The following note is our latest missive to the world:


We wrote a week or so ago with a preview of coming attractions, namely
the artists you can expect to hear in the RJA’s coming season: Dave
Douglas Brass Ecstasy, Third Man Trio (Michael Moore, Will Holshouser
& Han Bennink), Ralph Alessi & This Against That, Myra Melford’s Be
Bread, Frank Kimbrough with Noah Preminger, Antonio Sanchez &
Migration. More details soon.

Talent like that doesn’t come cheap, we said. And that’s why we're
writing again tonight.

Part of what lets us keep ticket prices low is avid, open-eared jazz
fans like you who become members. Some of you signed on as "charter"
members last year, and for that we owe you our abiding thanks. (And a
few of you, we still owe a letter and a membership card—soon come!)

Summer is our fundraising season, and the more members we can line up
now, the firmer footing we'll be on in the fall. None of needs
reminding what tough times these are, and it’s already clear that some
of the good folks who’ve given us money in the past—local businesses,
Humboldt State—just may not be able to come through this year. But
you can make up the shortfall.

Seriously: if millions of small donations can send a jazz-loving
president to Washington (what other recent chief executive can you
name who has Coltrane on his iPod and brings Esperanza Spalding to
play the White House?), then dozens of small donations can keep world-
class jazz coming to Humboldt.

For a $40 tax-deductible contribution (we’re a registered 501 (c)(3)
charity), you’ll have the satisfaction of knowing you’ve played an
extra-ordinary part in bringing some major players on the contemporary
jazz and improvised music scene to the North Coast. And on the theory
that one good turn deserves another, four local merchants who are
friends of the RJA have volunteered to extend special favors to RJA
members. Present your 2009-10 membership card at our ticket outlets
all season long and receive

• 10% off jazz CDs at The Works (Arcata & Eureka locations)
• 10% off featured CDs by RJA guest artists at People’s Records
(Arcata Plaza)
• 10% all purchases at Missing Link Records (8th & J in Arcata, behind
the Co-Op)

Plus get 10% off one purchase of any amount at Northtown Books in
Arcata.

And starting this year, we’re bending our strict egalitarian principles
—just slightly—by offering members, donors, and sponsors a crack at
reserved seating (rather than our customary general admission) at all
shows they attend.

If you became a member last year: thanks again—really. Can we count
on you to renew? (If you joined at our after our final show of
2008-09, we’ll automatically extend your membership through 2009-10.)

If you’ve come to our shows and/or workshops without becoming a
member, and you feel as though you can spare a bit beyond the price of
a cheap ticket now and again: please join! (Or make a donation in
any amount that seems right.)

And if you or your business are in a position to plunk down a bit more
cash and become a bona fide sponsor, we’d love to talk to you about
that, too.

You can become a member, donor, or sponsor online at
http://www.redwoodjazzalliance.org/underwrtg.htm, or you can post a
check to: Redwood Jazz Alliance, P.O. Box 4443, Arcata CA 95518. If
you’ve got questions, please direct them to
rja@redwoodjazzalliance.org and we’ll gladly get back to you.

In any event: thanks for coming out to hear great music and signing
up for our list. It’s responses like yours that make us appreciate
what an amazing community we live in. Happy summer—and stay tuned for
news about Jazz Night at the Humboldt Folklife Festival and RJA Discs
of the Month.

Dan, Michael, Thomas, Eric, Michael, Loralei, and David
Redwood Jazz Alliance Board of Directors

These pics were taken this morning at the RJA Master Class. Marty Ehrlich, Mark Dresser, Myra Melford, Matt Wilson. They put on a fantastic show last night. Scroll down for a slideshow of the concert and reception.