News of Past Guests, Spring 2019 Edition

Spring can really hang you up the most.  But let's not dwell on that.  Instead, let's get right to it, shall we?  In no particular order:

A belated discovery: last summer, saxophonist Michael Blake wrote a brilliant profile/appreciation of tubaist extraordinaire Marcus Rojas (Dave Douglas's Brass Ecstasy) for All About Jazz.

In other tenor sax news: Noah Preminger has a new album, After Life, with Jason Palmer, Kim Cass, Max Light, and Rudy Royston; you can order it here.  While you're at it, go to CD Baby and check out trumpeter Palmer's new double-CD, Rhyme and Reason. (Listen to a track on Soundcloud, first, if you like:)



At CD Baby you can also find Preminger's Chopin Project CD, part of his "Dead Composers Society" project, co-led with drummer Rob Garcia.  And by the way: there's a profile of Preminger, "Perpetual Motion Machine," by Dan Ouellette in the April issue of DownBeat.

There's also a new one from multi-instrumentalist Scott Robinson (Ryan Keberle and Catharsis), Tenormore, with Helen Sung, Martin Wind, and Dennis Mackrel.  It's available here.



Keberle's Catharsis itself (with Robinson, Camila Meza, Jorge Roeder, and Eric Doob) will see the release The Hope I Hold on June 28.  Read all about it at Greenleaf Records (and read an interview with Keberle at Jazz Speaks).

And tenor saxophonist Melissa Aldana just unveiled her Visions:



Meanwhile, you can listen to drummer Bill Stewart's latest, Band Menu, with Walter Smith III and Larry Grenadier, on Soundcloud before purchasing it at CD Baby (where you can also find also saxophonist Miguel Zenón's Grammy-nominated Yo Soy La Tradición, featuring the Spektral Quartet).

Guitarist Joel Harrison assembled an all-star crew of RJA veterans (including David Binney, Uri Caine, Chris Tordini, Stephan Crump, Brian Blade, and Allison Miller, with guest spots by Nels Cline and Theo Bleckmann, among others) for Angel Band, the third volume of his "Free Country" series, featuring jazz-inflected arrangements of classic country tunes. Buy it from Joel; watch a promo video here.

Trumpeter Ralph Alessi has reconvened his quintet This Against That for his third outing on ECM, Imaginary Friends.  (Fly Trio bassist Larry Grenadier, meanwhile, has done a solo session for ECM entitled The Gleaners.)

Trumpeter Dave Douglas, meanwhile, has three new releases on his Greenleaf label: Brazen Heart: Live at Jazz Standard (capturing a five-night run with his most recent quintet), UPLIFT: Twelve Pieces for Positive Action in 2018 (with frequent partner Joe Lovano and the twin guitars of Julian Lage and Mary Halvorson), and Devotion, a trio record with Uri Caine and Andrew Cyrille.

Antonio Sanchez and Migration's Lines in the Sand, says jazz writer Brian Morton, "makes its strong point" about xenophobia and immigration "without surrendering even a fraction of its musicality." Hear more in this NPR story:




Bassist Linda May Han Oh talks to Burning Ambulance about many things, including her latest album, Aventurine:



And finally (in the "new releases" department, anyway):

• Anat Cohen Tentet, Triple Helix
• Joe Martin (Anat Cohen), Étoilée (interview with Jazz Speaks | profile by Ken Micallef in Jazz Times)
• Tom Harrell, Infinity (review by Kevin Whitehead on NPR's Fresh Air)
• Chris Potter, Circuits (feature story in DownBeat | Jazz Times | EPK on YouTube)
• Craig Taborn (Michael Formanek) and Vijay Iyer, The Transitory Poems (short feature in DownBeat)

Shall we talk awards? The Jazz Times Critics Picks put albums by a bunch of RJA vets in its Top 10 albums of 2018: Ambrose Akinmusire (Origami Harvest, #2), Myra Melford's Snowy Egret (The Other Side of Air, #3), Cecile McLorin Salvant (The Window, #5), Ron Miles (with Joshua Redman, Scott Colley, and Brian Blade in Still Dreaming, #6), and Miguel Zenón (Yo Soy La Tradicion, #10).  More recently, the Jazz Journalists Association recognized Linda May Han Oh as Up and Coming Musician of the Year and Bassist of the Year, Cecile McLorin Salvant as Female Vocalist of the Year, Scott Robinson as Multi-Reeds Player of the Year and Player of the Year of Instruments Rare in Jazz, Miguel Zenon as Alto Saxophonist of the Year, Chris Potter as Tenor Saxophonist of the Year, Anat Cohen as Clarinetist of the Year, and Brian Blade as Traps Drummer of the Year.

That same issue of Jazz Times (February 2019) had a long-overdue profile of Myra Melford by Matthew Kassel, "Both Sides Now."

Speak of the devil: Melford herself penned a remembrance of the late Cecil Taylor--and vocalist Rene Marie pays tribute to Aretha Franklin--in the March issue of Jazz Times.

In addition to being an important composer and bandleader, Melford is of course an integral component of Allison Miller's Boom Tic Boom--and Miller, who is "blowing up" these days, almost deserves a section of this post all her own.  To begin with, here's a great mid-career profile by Suzanne Lorge in the February issue of DownBeat, "Allison Miller's Life of Contradictions."  Of course Boom Tic Boom's latest, Glitter Wolf, has been out for a few months now, but Miller is just as busy these days with a new band co-led by BTB member Jenny Scheinman, Parlour Games, whose debut is set for release on Royal Potato Family in June.  (You can listen to a teaser track when you hit that pre-order link.)

News of Past Guests, Holiday 2018 Edition

It's been a while since we did a roundup of our past guests' recent activity, and after such a long pause, it's hard to catch up.  What follows, then, is more selective than comprehensive.

December is, among other things, the "Best Of" season. NPR's "50 Best Albums of 2018" include the new record by Myra Melford's Snowy Egret, The Other Side of Air, as well as Ambrose Akinmusire's Origami Harvest. (In his "Favorite Albums of 2018," former New York Times and Jazz Times jazz writer Nate Chinen, now Director of Editorial Content for NPR's flagship jazz station WBGO in Newark, New Jersey, also favored Akinmusire and Melford, as well as Cécile McLorin Salvant and Dan Weiss.)

The New York Times's "The Best Jazz of 2018" likewise includes Akinmusire and Melford, along with albums by Justin Brown (Akinmusire's longtime friend and drummer), Allison Miller (with Carmen Staaf), the John Hollenbeck Large Ensemble, and Cécile McLorin Salvant.

Salvant is also included among Rolling Stone's (well, veteran jazz critic Hank Shteamer's) 20 Best Jazz Albums of 2018, together with Dan Weiss's Starebaby and Still Dreaming, Joshua Redman's all-star tribute to the band Old and New Dreams, whose lineup also includes RJA alumni Ron Miles, Scott Colley, and Brian Blade.

Ambrose Akinmusire and Myra Melford are also high atop the Jazz Times Top 50, with Salvant, Still Dreaming, and Miguel Zenon not far behind.  (Other RJA vets on the list: David Virelles, Tyshawn Sorey, Dan Weiss, Noah Preminger, Martin Wind, Gilad Hekselman, and Chris Lightcap.) At the Ottawa Citizen, Peter Hum singles out Frank Kimbrough, Ben Wendel (Linda Oh's Sun Pictures), Noah Preminger (with Frank Carlberg), and Myra Melford.

Finally, Dave Sumner's "Best Jazz Albums of 2018 [on Bandcamp]" include both the John Hollenbeck Large Ensemble's All Can Work and Anat Cohen & Fred Hersch's Live in Healdsburg.


Recent Interviews:
Jazz Speaks spoke to Jamie Baum, The Jazz Session hung with Helen Sung (so did WBGO's Salon Sessions), and Straight No Chaser chased down Ben Allison and Rudy Royston.  Royston was plugging a new album, Flatbed Buggy, which had a featured review in DownBeat and an Editor's Pick in Rolling Stone. Sung, meanwhile, was touting her collection of settings of Dana Gioia poems, Sung With Words, which was also featured on NPR's First Listen in the week preceding its release.





Other notable new releases include Frank Kimbrough's magisterial, multi-volume set of the complete compositions of Thelonious Monk, Monk's Dreams:



and Miguel Zenón's collaboration with the Spektral Quartet, Viejo:



At WBGO, Nate Chinen previewed Viejo--and in his onlin "Take 5" column, he featured first Rudy Royston and Myra Melford, then Tyshawn Sorey and Allison Miller.

And speaking (once more!) of Allison Miller: the Thanksgiving episode of NPR's Jazz Night in America showcased the supergroup "Artemis," with Allison Miller, Anat Cohen, and Cecile McLorin Salvant.

News of Past Guests, 2016 Holiday Edition

Just in time for the holidays--well, just in time for the solstice--pianist Frank Kimbrough has released a beautiful trio album, Solstice (Pirouet), with bassist Jay Anderson and drummer Jeff Hirschfield. Here's the title track:



Pianist Uri Caine, meanwhile, has a new trio with bassist Mark Helias and drummer Clarence Penn--and a new album, Calibrated Thickness, with cornetist Kirk Knuffke guesting on several tracks. (Buy and listen to samples at CDBaby.)

And speaking of trio albums, drummer Allison Miller plays a big part in two of them just out. The first, Swivel, is by the collective Honey Ear Trio, with bassist Rene Hart, saxophonist Jeff Lederer (now filling founding member Erik Lawrence's shoes), and guest trumpeter Kirk Knuffke.  Two tracks here:



And then there's Lean, with saxophonist Jerome Sabbagh and bassist Simon Jermyn.  Here's a taste of their eponymous debut:



Meanwhile, Miller's group Boom Tic Boom (with RJA vets Myra Melford, Ben Goldberg, Kirk Knuffke, Jenny Scheinman, and Todd Sickafoose) released a video from a recording, made back in May, of their upcoming appearance on WBGO's The Checkout:

(As it happens, Boom Tic Boom bandmate Myra Melford appeared on the November 21 edition of The Checkout, performing solo and talking about her own band Snowy Egret.)

Guitarist Rez Abbasi appeared in a live webcast from New York City's Asia Society on Friday, December 16 with his band Invocation, featuring fellow RJA veterans Rudresh Mahanthappa, Vijay Iyer, Johannes Weidenmuller, and Dan Weiss. The concert of music from the band's upcoming release Unfiltered Universe was previewed with a profile and interview in the Village Voice, and you can watch an archive of the webcast (the band comes on around 12'30"):

Finally: the 2016 Jazz Critics Poll, facilitated as always by Francis Davis and hosted (for the 4th year in a row) by NPR, may be dominated by what Davis calls the "avant elders."  But the Top 10 also include records by past guests Vijay Iyer, Michael Formanek, Nels Cline, and Matt Wilson.  Keep going into the top 50 and you'll see Tyshawn Sorey, Tom Harrell, Fred Hersch, Donny McCaslin, Frank Kimbrough, Melissa Aldana, The Cookers, Jeff Parker, and Allison Miller.  (Rene Marie tops the special "Vocal" category; Camila Meza is #3.)  We--and 139 of the world's most knowledgeable jazz writers--can't be wrong. Right?  Happy Holidays!

News of Past Guests, Summer 2016 Edition

Jazz critic Kevin Whitehead has a smart appreciation of Matt Wilson's Big Happy Family on NPR's Fresh Air with Terry Gross:


And in other drummer news: Allison Miller talks with Drew Miller about Otis Was a Polar Bear on his Wing Walker Music podcast.

RJA veterans included in DownBeat's July feature story, "25 for the Future" include saxophonist Melissa Aldana; drummers Marcus Gilmore (Vijay Iyer Trio), Tyshawn Sorey (Myra Melford's Snowy Egret), Justin Brown (Ambrose Akinmusire Quintet) and Mark Guiliana (Donny McCaslin Group); and guitarist Matthew Stevens (Linda Oh's Sun Pictures).

Meanwhile, as usual, our past guests are well represented in the 64th annual DownBeat International Critics Poll, whose winners include Vijay Iyer (Jazz Artist of the Year), Ambrose Akinmusire (Trumpet), Anat Cohen (Clarinet), Regina Carter (Violin), and Cécile McLorin Salvant (Female Vocalist). "Rising Stars" include Tim Lefebvre (Electric Bass), Mark Guiliana (Drums), and Liberty Ellman (Guitar). 142 writers, journalists, and critics from around the world participated in the poll.

On August 12, Réne Marie stopped into the NPR studios in Washington to perform a set for the Tiny Desk Concert:

Finally, in album news: guitarist Charlie Hunter assembled a new quartet with Kirk Knuffke, trumpet; Marshall Fowlkes, trombone; and Bobby Previte, drums, for a CD on the GroundUP Music label entitled Everybody Has a Plan Until They Get Punched In the Mouth. Here's a track:

And Entertainment Weekly,  Rolling Stone, and Pitchfork are among those touting Donny McCaslin's forthcoming album, Beyond Now, due out in October, which will include two Bowie covers, "Warszawa" and "A Small Plot of Land." You can read an interview with Donny (and hear "Small Plot") at EW, and you can pre-order the album from Motema.

News of Past Guests, Spring Break 2016 Edition

Michael Blake's new album, Fulfillment, a suite of compositions for large ensemble on the themes of immigration and exclusion, is out on the Canadian label Songlines. Read about the project at the label's website, where you can also download a free track. Here's another cut, "Sea Shanty"--



--which is one of three tunes from Fulfillment that are part of a Michael Blake playlist at Songlines' Soundcloud page.

The New York Times calls Melissa Aldana's brand-new release, Back Home, her "finest album" yet. It's available at the usual online vendors (and, if you ask for it, at your local record store). Read the transcript of an amazing conversation between her and Sonny Rollins at Burning Ambulance.

The April issue of Jazz Times focuses on bassists--and it includes profiles of Chris Lightcap (Chris Lightcap's Bigmouth, Regina Carter's Southern Comfort) and Scott Colley (Antonio Sanchez Migration), a "Before and After" listening session with Eureka's own Trevor Dunn (Nels Cline Singers), and Linda Oh picking (and discussing) some of her favorite bass duo tracks. Select content from the magazine will go online April 5.

And speaking of bassists: out March 18 from Omer Avital is Abutbul Music. (Abutbul is one of Avital's ancestral surnames.) DownBeat magazine's "Editor's Choice" review says that some of the album's tunes mix genres, "mov[ing] through various guises, switching rhythms and meters with a dancer’s precision," while "[o]thers hone in on a single genre and explore it through Avital’s distinctly groove-filtered lens."  Case in point: "Bed-Stuy," which "incorporates hushed, Mingus-flavored swing":

Preparing for his last record, Intents and Purposes (an album of acoustic covers of classic 70s fusion tunes), inspired guitarist Rez Abbasi to compose some electric "fusion" of his own. The results are on a new album, Behind the Vibration, out May 20th:



Finally: the Donny McCaslin Group is the subject of a story on the cover of the May issue of DownBeat (the same issue also contains an interview with drummer Allison Miller). 

Donny and the rest of the band also talked about their experience with the late David Bowie (they're the core group on Bowie's celebrated swan song, Blackstar) on a recent episode of The New Yorker Radio Hour:

Myra Cures the Summer Doldrums

The vernal flood of new releases (see the last two posts) has slowed to a trickle--appropriate for our drought-stricken state, I suppose.  But thankfully, Myra Melford is quenching our collective thirst with a series of videos from her spring residency at the Stone (John Zorn's famous performance space on New York City's Lower East Side), releasing them at the rate of one per week. Here's an introduction:

And here she is with drummer Allison Miller:

And with flutist Nicole Mitchell and drummer Tyshawn Sorey:

And with multi-reedist Ben Goldberg:

And with Miya Masaoka and Mary Halvorson:

And with the Crush Quartet:

And with the Be Bread Sextet:

And with The Same River, Twice (Chris Speed, Dave Douglas, Erik Friedlander, Michael Sarin):

And with her latest band, Snowy Egret:

And a second tune from The Same River, Twice:

And with Marty Ehrlich:

And finally, her old trio with Lindsey Horner & Reggie Nicholson: