News of Past Guests, Spring 2019 Edition

Spring can really hang you up the most.  But let's not dwell on that.  Instead, let's get right to it, shall we?  In no particular order:

A belated discovery: last summer, saxophonist Michael Blake wrote a brilliant profile/appreciation of tubaist extraordinaire Marcus Rojas (Dave Douglas's Brass Ecstasy) for All About Jazz.

In other tenor sax news: Noah Preminger has a new album, After Life, with Jason Palmer, Kim Cass, Max Light, and Rudy Royston; you can order it here.  While you're at it, go to CD Baby and check out trumpeter Palmer's new double-CD, Rhyme and Reason. (Listen to a track on Soundcloud, first, if you like:)



At CD Baby you can also find Preminger's Chopin Project CD, part of his "Dead Composers Society" project, co-led with drummer Rob Garcia.  And by the way: there's a profile of Preminger, "Perpetual Motion Machine," by Dan Ouellette in the April issue of DownBeat.

There's also a new one from multi-instrumentalist Scott Robinson (Ryan Keberle and Catharsis), Tenormore, with Helen Sung, Martin Wind, and Dennis Mackrel.  It's available here.



Keberle's Catharsis itself (with Robinson, Camila Meza, Jorge Roeder, and Eric Doob) will see the release The Hope I Hold on June 28.  Read all about it at Greenleaf Records (and read an interview with Keberle at Jazz Speaks).

And tenor saxophonist Melissa Aldana just unveiled her Visions:



Meanwhile, you can listen to drummer Bill Stewart's latest, Band Menu, with Walter Smith III and Larry Grenadier, on Soundcloud before purchasing it at CD Baby (where you can also find also saxophonist Miguel Zenón's Grammy-nominated Yo Soy La Tradición, featuring the Spektral Quartet).

Guitarist Joel Harrison assembled an all-star crew of RJA veterans (including David Binney, Uri Caine, Chris Tordini, Stephan Crump, Brian Blade, and Allison Miller, with guest spots by Nels Cline and Theo Bleckmann, among others) for Angel Band, the third volume of his "Free Country" series, featuring jazz-inflected arrangements of classic country tunes. Buy it from Joel; watch a promo video here.

Trumpeter Ralph Alessi has reconvened his quintet This Against That for his third outing on ECM, Imaginary Friends.  (Fly Trio bassist Larry Grenadier, meanwhile, has done a solo session for ECM entitled The Gleaners.)

Trumpeter Dave Douglas, meanwhile, has three new releases on his Greenleaf label: Brazen Heart: Live at Jazz Standard (capturing a five-night run with his most recent quintet), UPLIFT: Twelve Pieces for Positive Action in 2018 (with frequent partner Joe Lovano and the twin guitars of Julian Lage and Mary Halvorson), and Devotion, a trio record with Uri Caine and Andrew Cyrille.

Antonio Sanchez and Migration's Lines in the Sand, says jazz writer Brian Morton, "makes its strong point" about xenophobia and immigration "without surrendering even a fraction of its musicality." Hear more in this NPR story:




Bassist Linda May Han Oh talks to Burning Ambulance about many things, including her latest album, Aventurine:



And finally (in the "new releases" department, anyway):

• Anat Cohen Tentet, Triple Helix
• Joe Martin (Anat Cohen), Étoilée (interview with Jazz Speaks | profile by Ken Micallef in Jazz Times)
• Tom Harrell, Infinity (review by Kevin Whitehead on NPR's Fresh Air)
• Chris Potter, Circuits (feature story in DownBeat | Jazz Times | EPK on YouTube)
• Craig Taborn (Michael Formanek) and Vijay Iyer, The Transitory Poems (short feature in DownBeat)

Shall we talk awards? The Jazz Times Critics Picks put albums by a bunch of RJA vets in its Top 10 albums of 2018: Ambrose Akinmusire (Origami Harvest, #2), Myra Melford's Snowy Egret (The Other Side of Air, #3), Cecile McLorin Salvant (The Window, #5), Ron Miles (with Joshua Redman, Scott Colley, and Brian Blade in Still Dreaming, #6), and Miguel Zenón (Yo Soy La Tradicion, #10).  More recently, the Jazz Journalists Association recognized Linda May Han Oh as Up and Coming Musician of the Year and Bassist of the Year, Cecile McLorin Salvant as Female Vocalist of the Year, Scott Robinson as Multi-Reeds Player of the Year and Player of the Year of Instruments Rare in Jazz, Miguel Zenon as Alto Saxophonist of the Year, Chris Potter as Tenor Saxophonist of the Year, Anat Cohen as Clarinetist of the Year, and Brian Blade as Traps Drummer of the Year.

That same issue of Jazz Times (February 2019) had a long-overdue profile of Myra Melford by Matthew Kassel, "Both Sides Now."

Speak of the devil: Melford herself penned a remembrance of the late Cecil Taylor--and vocalist Rene Marie pays tribute to Aretha Franklin--in the March issue of Jazz Times.

In addition to being an important composer and bandleader, Melford is of course an integral component of Allison Miller's Boom Tic Boom--and Miller, who is "blowing up" these days, almost deserves a section of this post all her own.  To begin with, here's a great mid-career profile by Suzanne Lorge in the February issue of DownBeat, "Allison Miller's Life of Contradictions."  Of course Boom Tic Boom's latest, Glitter Wolf, has been out for a few months now, but Miller is just as busy these days with a new band co-led by BTB member Jenny Scheinman, Parlour Games, whose debut is set for release on Royal Potato Family in June.  (You can listen to a teaser track when you hit that pre-order link.)

News of Past Guests, Spring 2017 Edition

Our first item this time is a sad one: (Dutch) jazz giant Misha Mengelberg, co-founder of the legendary ICP Orchestra--our second guest ever, back in April 2007--has died after a long illness.

Misha Mengelberg (R) with Han Bennink

Plenty of other people have written and spoken about Mengelberg more eloquently than we could, beginning with Kevin Whitehead on NPR's Fresh Air with Terry Gross:

Continue with pianist Ethan Iverson at Do the Math, then check obituaries in the New York Times and the (London) Guardian.  And read an interview with Arcata's own Bob Doran.

In happier news: Linda May Han Oh is on the cover of April's Jazz Times, and she has a new album, Walk Against the Wind, on Fabian Almazan's new Biophilia label:



(You might also want to check out a profile of Oh, "Almost Famous, Almost Broke," that appeared last summer in the Village Voice.)

Meanwhile Dayna Stephens, whose album Gratitude is also just out, was interviewed by Burning Ambulance, drummer Dafnis Prieto spoke for the Jazz Gallery's "Jazz Speaks" feature, Cecile McLoren Salvant was the subject of a profile in The New Yorker, trumpeter Cuong Vu sat down with Straight No Chaser, Chris Potter talked to Ted Panken about his new ECM album The Dreamer Is the Dream in the June issue of DownBeat, and trombonist Ryan Keberle, who also has a new release (with his band Catharsis), was on Leo Sidran's Third Story podcast. Hear a track from Keberle's Find the Common, Shine a Light right here:



And: check out a video interview with Catharsis vocalist Camila Meza (a fine songwriter and bandleader in her own right) for the Jazz Gallery's "Jazz Speaks."

Finally in the new releases department: go track down David Binney's The Time Verses, the first album with his core quartet (Jacob Sacks, Eivind Opsvik, Dan Weiss), since 2009.

News of Past Guests, April 2014 Edition

April 1st.  No foolin.  On NPR's A Blog Supreme today, Lara Pellegrenelli talks to guitarist Matt Stevens (who was just here with Linda Oh Sun Pictures) about his debut album, due out on Concord Jazz later this year. Stevens will also appear with his band on WBGO's The Checkout: Live on Wednesday, April 2 in a concert that will be webcast live (and archived) on NPR Music.


Drummer Rudy Royston (Tom Harrell Quintet, Miles-Versace-Royston Trio), whose new album 303 we noted back in January, is the subject of a feature article by John Murph in this month's Jazz Times.  And that DownBeat cover story on Ambrose Akinmusire we mentioned last month?  Now online.  Ambrose is also interviewed by Josh Jackson on the latest April 8th podcast of WBGO's indispensable The Checkout. (Meanwhile, drummer/bandleader John Hollenbeck [Claudia Quintet] appears with singer Theo Bleckmann on the April 15th edition of The Checkout, discussing their album Songs I Like a Lot.)


The uncategorizable new album of through-composed, Indian-beat-cycle-based, large-ensemble music by drummer Dan Weiss (David Binney, Rez Abbasi), entitled Fourteen, has appeared to rave reviews.

Also just out (on April 15th), the latest by Dave Douglas: Riverside, a collection of music inspired by Jimmy Giuffre, with Canadian brothers Chet and Jim Doxas and legendary bassist Steve Swallow (who played in one of Giuffre's trios).


Past (and future) RJA guests are well represented among this year's Jazz Journalists Association awardees: Joe Lovano took both the Multi-Reeds and Tenor Sax category, Anat Cohen won Clarinetist of the Year, Craig Taborn (Michael Formanek Quartet) was voted top pianist, and Regina Carter is primo--er, prima--among violinists.  Are we surprised?  Readers, listeners: we are not.

More RJA veterans on NPR Music:  saxophonist Chris Potter plays music from his ECM album The Sirens on JazzSet with Dee Dee Bridgewater, while pianist/composer/MacArthur Fellow Vijay Iyer is featured on WQXR's Q2 Spaces (in which contemporary composers are interviewed in their own homes and studios).

Finally: Humboldt's own Bob Doran has gotten around to posting his complete set of photos--great ones--from February's concert by the Omer Avital Quintet.  See for yourself:

Post by Bob Doran.

Sunnyside Records Hearts RJA

Because we like Chris Potter, they like us:


Chris Potter's albums selected in the 10 best of 2007 by Chicago Tribune, PopMatters and the Redwood Jazz Alliance

Chris Potter

2007-12-29 Chicago Tribune puts it in third position : "The writing for Potter's tentet is so harmonically advanced, structurally sound and intellectually rigorous as to demand repeated listening" .
Howard Reich, Chicago Tribune - December 2007 read the full article

PopMatters puts it in 7th :" Chris Potter is building a claim to greatness"
Will Layman, PopMatters - December 2007 read the full article

Northcoast Journal and the Redwood Jazz Alliance put both of his records tied in number 1 position:" What they have in common is Potter's brillinat improvisations,"
Redwood Jazz Alliance - December 2007 read the full article