News of Past Guests, Fall 2019 Edition

Let's start with bassist Linda May Han Oh, who performed her double-quartet chamber jazz project "Aventurine" on the September 19th episode of NPR's Jazz Night in America.



The album, which we previewed in a previous post (and which you can get on Bandcamp) is getting great buzz.

Pianist Helen Sung, meanwhile, contributed to the episode of the NPR series Turning the Tables: 8 Women Who Changed American Popular Music devoted to piano icon Mary Lou Williams.  Her video segment is entitled "How to Swing Like Mary Lou Williams."

In a recent newsletter, Helen also mentions how proud she is to be part of the album Shoulder to Shoulder: Centennial Tribute to Women's Suffrage (released August 30th) where she "joins the Karrin Allyson Sextet (and some very special guests!) to perform creatively reimagined songs from the Suffragette Movement." Billboard wrote about the project here.

Speaking of iconic pianists: Fred Hersch, renowned for his intimate trio work, has a new big band album (with Hamburg, Germany's NDR Bigband), Begin Again, that was recently reviewed by Kevin Whitehead on NPR's Fresh Air with Terry Gross.

A week or so later, Whitehead also reviewed a new record by Ben Goldberg (Plays Monk, Myra Melford's Be Bread), A Good Day for Cloud Fishing, built around the poetry of Dean Parks and featuring guitarist Nels Cline and cornetist Ron Miles.  (You can buy the album from a number of online venues, including Bandcamp.)

And speaking of big bands: our first guest of the 2019-20 season, Emilio Solla, has a special talent for writing and arranging for large ensembles.  He debuted his own big band, the Tango Jazz Orchestra, at Jazz at Lincoln Center's Dizzy's Club Coca-Cola earlier this year, and now his debut big band album has dropped.  It's called Puertos: Music from International Waters, and you can get it from all the usual online vendors, including the artist-friendly CD Baby (want a high-resolution format? try Qobuz).

Other new albums:

• Tenor saxophonist Noah Preminger's 15th album as a leader, Zigsaw: Music of Steve Lampert, is available for pre-order (CD or download) at his website.  It includes the talents of John O'Gallagher, Jason Palmer, Kris Davis, Rob Schwimmer, Kim Cass, and Rudy Royston.
• Alto saxophonist Miguel Zenón's latest is dedicated to a legendary Puerto Rican singer, Sonero: The Music of Ismail Rivera. (Miguel also did his first "Before and After" listening session for the September issue of Jazz Times.)
  
• Saxophonists (and longtime friends) Donny McCaslin and David Binney team up with fellow reedmen Dave Liebman and Samuel Blais for a sax quartet project called Four Visions:
• Bassist Chris Lightcap (who was recently interviewed for the Burning Ambulance podcast and the Jazz Gallery's "Jazz Speaks" series) combines his ensembles Bigmouth and Superette into a large ensemble called--you guessed it--SuperBigmouth, featuring two tenors, two guitarists, and two drummers.  "With whatever band Lightcap is leading," says the New York Times, "he strikes a masterly balance between urgent, punctuated bass playing and smooth, sighing melodies on top."  "SuperBigmouth commingles prog rock, spiritual jazz and the indie-lounge vibes of Stereolab, resulting in something altogether new." You can pre-order--and listen--on Bandcamp:  
• Bassist Ben Allison's new disc is the second with his collective trio "The Easy Way," featuring saxophonist Ted Nash and guitarist Steve Cardenas; it's called Somewhere Else: West Side Story Songs (preview | order)
• Guitarist Joel Harrison teams up with Anupam Shobakhar and the Talujon Percussion Quartet for Still Point: Turning World (order & preview on Bandcamp):
  
• Guitarist Rez Abbasi, meanwhile, is coming out with two new albums, one a soundtrack for the 1929 silent film A Throw of the Dice (interview in DownBeat), the other a collaboration with French harpist Isabelle Olivier, Oasis.  Here's a preview track:
  
• Drummer Harris Eisenstadt has a new live album with his quartet Canada Day (pre-order it at Clean Feed Records), as well as a new studio album with his other quartet Old Growth Forest (pre-order it--and preview it--on Bandcamp)
• Drummer Dan Weiss (who has played for the RJA multiple times as a sideman) returns as leader of a "Trio +1" with Utica Box
• Drummer Gerald Cleaver (Michael Formanek Quartet) leads his band "Violet Hour" (which includes Chris Lightcap) on a live date for Firehouse 12 Records entitled, strangely enough, Live at Firehouse 12 
• And pianist Uri Caine has written an oratorio, The Passion of Octavius Catto, dedicated to the 19th-century Philadelphia civil rights activist.  Order it from Caine's website with the link above, or from CDBaby. Here's a review, and here's a promotional video:

News of Past Guests, Summer 2019 Edition

As we first put fingers to keyboard, it was the day after Memorial Day, and that's the unofficial start of summer, right?  Besides, our Spring post was getting so packed that Blogger told us we'd exceeded the limit on "tags." So put on your shorts and sandals, grab a gin & tonic, and let's go:

At the Jazz Gallery's Jazz Speaks blog, saxophonist Tony Malaby (Chris Lightcap's Bigmouth) talks about his new collective trio with guitarist Ben Monder (Theo Bleckmann) and drummer Nasheet Waits (Dave Douglas & Brass Ecstasy).

Jazz Speaks also spoke with saxophonist Melissa Aldana, as did Burning Ambulance:



In the August issue of DownBeat you'll find this year's installment of the magazine's prestigious Critics Poll--which, like similar polls by Jazz Times critics and the Jazz Journalists Association (see our Spring Update), lauds plenty of RJA veterans.  For instance?  Cécile McLorin Salvant (whom we presented in 2014 in collaboration with Center Arts) took both Female Vocalist and Jazz Artist of the Year.  The Fred Hersch Trio: Jazz Group of the Year.  Ambrose Akinmusire: trumpet. Miguel  Zénon: alto sax.  Anat Cohen: clarinet.  Regina Carter: violin.  Brian Blade (Joel Harrison and Spirit House): drums.  Adam O'Farrill (Rudresh Mahanthappa's Bird Calls): rising star trumpet.  Dayna Stephens: rising star tenor sax.  Allison Miller: rising star drums.

The July DownBeat had feature articles on Melissa Aldana and clarinetist Anat Cohen, a four-star "Hot Box" featured review of Fabian Almazan's This Land Abounds with Life, and a profile of vocalist and guitarist Camila Meza (Ryan Keberle & Catharsis).  Not to be outdone, the July Jazz Times includes a cover story on saxophonist Chris Potter, a feature on multi-reedist Marty Ehrlich, an interview with multi-instrumentalist Scott Robinson, and a "Before and After" listening session with saxophonist Dayna Stephens.

On May 31, Meza released her fifth album as a leader and her first on Sony Masterworks, Ámbar.  In April, DownBeat previewed a tune from the album as part of its online "First Listen" series, while back in 2018 The Pace Report interviewed Meza (and recorded her in performance) when she debuted her Nectar Orchestra at the APAP conference in New York:

The Chilean-born guitarist-vocalist-composer-bandleader also came in for special praise from NPR's "Alt.Latino" recently, after she appeared with her new project on NPR's Jazz Night in America:

Meza also continues her work with Keberle's Catharsis on The Hope I Hold, due out June 28. Here's a video of the album's first single, "Despite the Dream":

Elsewhere in print: in the July/August Jazz Times, Andrew Gilbert writes about vocalist Claudia Villela's recent travails and her latest album ("Into the Fire, and Out Again").  And in the June DownBeat, Suzanne Lorge had a short feature ("Sanchez's Borderless Music") on drummer Antonio Sánchez and Migration's Lines in the Sand, a timely album about border issues, as well as a long profile ("Seeking Unity") of bassist Linda May Han Oh (about whom Steve Futterman also said nice things in a recent issue of the New Yorker), while Bill Milkowski highlighted guitarist Ben Monder's Day After Day, a double album (one solo, one trio) of imaginative covers.



More drummer news: Johnathan Blake (Omer Avital Quintet), featured on the Straight No Chaser podcast, just released his third album as a leader, Trion, a double live set with two other RJA alums, tenor saxophonist Chris Potter and bassist Linda May Han Oh (each of whom has recent new releases of their own; see our Spring 2019 update):




And drummer Allison Miller was interviewed for both Burning Ambulance, and DownBeat, where she spoke (among other things) about "Parlour Games," her quartet co-led with Jenny Scheinman.  (See our previous update).  And drummer--well, multi-instrumentalist--Tyshawn Sorey (Myra Melford's Snowy Egret) was recetnly the object of praise (Steve Smith, "Composer Portrait") and the subject of a profile (Alex Ross, "The Shape-Shifting Music of Tyshawn Sorey") in The New Yorker.

Miscellaneous new releases:

• The Marcus Shelby Jazz Orchestra, Transitions
• David Berkman Sextet, Six of One:

News of Past Guests, Spring 2019 Edition

Spring can really hang you up the most.  But let's not dwell on that.  Instead, let's get right to it, shall we?  In no particular order:

A belated discovery: last summer, saxophonist Michael Blake wrote a brilliant profile/appreciation of tubaist extraordinaire Marcus Rojas (Dave Douglas's Brass Ecstasy) for All About Jazz.

In other tenor sax news: Noah Preminger has a new album, After Life, with Jason Palmer, Kim Cass, Max Light, and Rudy Royston; you can order it here.  While you're at it, go to CD Baby and check out trumpeter Palmer's new double-CD, Rhyme and Reason. (Listen to a track on Soundcloud, first, if you like:)



At CD Baby you can also find Preminger's Chopin Project CD, part of his "Dead Composers Society" project, co-led with drummer Rob Garcia.  And by the way: there's a profile of Preminger, "Perpetual Motion Machine," by Dan Ouellette in the April issue of DownBeat.

There's also a new one from multi-instrumentalist Scott Robinson (Ryan Keberle and Catharsis), Tenormore, with Helen Sung, Martin Wind, and Dennis Mackrel.  It's available here.



Keberle's Catharsis itself (with Robinson, Camila Meza, Jorge Roeder, and Eric Doob) will see the release The Hope I Hold on June 28.  Read all about it at Greenleaf Records (and read an interview with Keberle at Jazz Speaks).

And tenor saxophonist Melissa Aldana just unveiled her Visions:



Meanwhile, you can listen to drummer Bill Stewart's latest, Band Menu, with Walter Smith III and Larry Grenadier, on Soundcloud before purchasing it at CD Baby (where you can also find also saxophonist Miguel Zenón's Grammy-nominated Yo Soy La Tradición, featuring the Spektral Quartet).

Guitarist Joel Harrison assembled an all-star crew of RJA veterans (including David Binney, Uri Caine, Chris Tordini, Stephan Crump, Brian Blade, and Allison Miller, with guest spots by Nels Cline and Theo Bleckmann, among others) for Angel Band, the third volume of his "Free Country" series, featuring jazz-inflected arrangements of classic country tunes. Buy it from Joel; watch a promo video here.

Trumpeter Ralph Alessi has reconvened his quintet This Against That for his third outing on ECM, Imaginary Friends.  (Fly Trio bassist Larry Grenadier, meanwhile, has done a solo session for ECM entitled The Gleaners.)

Trumpeter Dave Douglas, meanwhile, has three new releases on his Greenleaf label: Brazen Heart: Live at Jazz Standard (capturing a five-night run with his most recent quintet), UPLIFT: Twelve Pieces for Positive Action in 2018 (with frequent partner Joe Lovano and the twin guitars of Julian Lage and Mary Halvorson), and Devotion, a trio record with Uri Caine and Andrew Cyrille.

Antonio Sanchez and Migration's Lines in the Sand, says jazz writer Brian Morton, "makes its strong point" about xenophobia and immigration "without surrendering even a fraction of its musicality." Hear more in this NPR story:




Bassist Linda May Han Oh talks to Burning Ambulance about many things, including her latest album, Aventurine:



And finally (in the "new releases" department, anyway):

• Anat Cohen Tentet, Triple Helix
• Joe Martin (Anat Cohen), Étoilée (interview with Jazz Speaks | profile by Ken Micallef in Jazz Times)
• Tom Harrell, Infinity (review by Kevin Whitehead on NPR's Fresh Air)
• Chris Potter, Circuits (feature story in DownBeat | Jazz Times | EPK on YouTube)
• Craig Taborn (Michael Formanek) and Vijay Iyer, The Transitory Poems (short feature in DownBeat)

Shall we talk awards? The Jazz Times Critics Picks put albums by a bunch of RJA vets in its Top 10 albums of 2018: Ambrose Akinmusire (Origami Harvest, #2), Myra Melford's Snowy Egret (The Other Side of Air, #3), Cecile McLorin Salvant (The Window, #5), Ron Miles (with Joshua Redman, Scott Colley, and Brian Blade in Still Dreaming, #6), and Miguel Zenón (Yo Soy La Tradicion, #10).  More recently, the Jazz Journalists Association recognized Linda May Han Oh as Up and Coming Musician of the Year and Bassist of the Year, Cecile McLorin Salvant as Female Vocalist of the Year, Scott Robinson as Multi-Reeds Player of the Year and Player of the Year of Instruments Rare in Jazz, Miguel Zenon as Alto Saxophonist of the Year, Chris Potter as Tenor Saxophonist of the Year, Anat Cohen as Clarinetist of the Year, and Brian Blade as Traps Drummer of the Year.

That same issue of Jazz Times (February 2019) had a long-overdue profile of Myra Melford by Matthew Kassel, "Both Sides Now."

Speak of the devil: Melford herself penned a remembrance of the late Cecil Taylor--and vocalist Rene Marie pays tribute to Aretha Franklin--in the March issue of Jazz Times.

In addition to being an important composer and bandleader, Melford is of course an integral component of Allison Miller's Boom Tic Boom--and Miller, who is "blowing up" these days, almost deserves a section of this post all her own.  To begin with, here's a great mid-career profile by Suzanne Lorge in the February issue of DownBeat, "Allison Miller's Life of Contradictions."  Of course Boom Tic Boom's latest, Glitter Wolf, has been out for a few months now, but Miller is just as busy these days with a new band co-led by BTB member Jenny Scheinman, Parlour Games, whose debut is set for release on Royal Potato Family in June.  (You can listen to a teaser track when you hit that pre-order link.)

News of Past Guests, Fall 2017 Edition

As we start this post, it's just after Labor Day, so we've put away our white shoes--and begun a new season of concerts and workshops.  (Big love to Matt Wilson and Honey & Salt! And to the Dayna Stephens Quartet featuring Billy Childs! Next up: John Ellis and Double-Wide on November 10th.)  And even though we posted the first edition of this update before summer was officially over on September 21st, we thought it was time for an autumnal edition of the news.

The saddest event we have to report is the death of guitarist John Abercrombie on August 22. Our deep condolences to his family, friends, and fellow musicians.

Here are remembrances from:

• Peter Hum, Ottawa Citizen
• Tom Cole, NPR
• Nate Chinen, The Record (NPR/WBGO)

In happier news: Eureka-born bassist Trevor Dunn (Nels Cline Singers, Endangered Blood) completed a prestigious weeklong residency at John Zorn's soon-to-be-former East Village mecca for new music, The Stone.  (It's moving across town to The New School.)  The New Yorker commented: "Quiet as it's kept, except among the freethinking musicians who depend on his imaginative anddaring playing, the bassist Dunn has been an M.V.P. for both new-jazz and experimental-rock outfits for some four decades now. . . ."

Meanwhile, pianist Fred Hersch spoke with Fresh Air's Terry Gross about his new memoir, Good Things Happen Slowly and his new solo album, Open Book:

Hersch is everywhere these days: read Peter Hum's review of a rare performance of Hersch's Walt Whitman song cycle Leaves of Grass at Lincoln Center.  Elsewhere, at PopMatters, to be exact, Andy Jurk reviews a new album on ECM, Gnosis, by young pianist David Virelles (heard in Arcata in 2011 with the David Binney Quartet). Here's a taste of that album:

At NPR Music, Nate Chinen talks to drummer (and composer of the soundtrack to Birdman) Antonio Sanchez about his new album Bad Hombre. The story includes a streaming track from the album. Sanchez was also guest DJ on a recent edition of NPR's Alt.Latino podcast, and he's on the cover the drummer-centric November issue of Jazz Times.

Meanwhile, NPR Music's "First Listen" recently streamed Rudresh Mahanthappa's new album, Agrima (with his "Indo-Pak Coalition," featuring Rez Abbasi and Dan Weiss, RJA veterans all) in its entirety, ahead of its mid-October release. Not coincidentally, Mahanthappa is on the cover of the November DownBeat, which also includes interviews with Rez Abbasi and Linda May Han Oh. Abbasi, too, has a new album, Unfiltered Universe, with Iyer, Mahanthappa, Weiss, and others:



And Iyer, whose new sextet album Far From Over appeared late this summer to rave reviews (see our previous post), was the focus of the latest Jazz Night in America on NPR, which featured performances from the recent Ojai festival that Iyer directed.

Cécile McLorin Salvant, a big winner in this year's DownBeat Critics Poll (see our last post once again), was the subject of a great cover story by Phillip Lutz, "True Character," in the October issue of DownBeat.

Another RJA genius: drummer-percussionist/composer/polymath Tyshawn Sorey (Myra Melford's Snowy Egret) has been named a 2017 MacArthur Fellow.  Coverage at Jazz Times and NPR, and a profile (including a video) at the MacArthur Foundation.

Around 100 pages of the latest issue of the journal Music & Literature are devoted to saxophonist Mark Turner (of the trio Fly).  There are appreciations from twenty fellow musicians, an interview with writer and critic Ben Ratliff, and transcriptions of Turner's music. You can purchase it at the journal's website.

Finally, elsewhere at NPR, you can listen to a rebroadcast of an appearance by trumpeter Dave Douglas on Marian McPartland's Piano Jazz way back in 2000--a publicity warm-up, perhaps, for the release of Douglas's new album (with Anwar Marshall and The Westerlies), Little Giant, Still Life:



(You can also watch a series of interviews about the album with Dave, The Westerlies, and drummer Anwar Marshall at the Greenleaf Music website.)

News of Past Guests, Spring 2017 Edition

Our first item this time is a sad one: (Dutch) jazz giant Misha Mengelberg, co-founder of the legendary ICP Orchestra--our second guest ever, back in April 2007--has died after a long illness.

Misha Mengelberg (R) with Han Bennink

Plenty of other people have written and spoken about Mengelberg more eloquently than we could, beginning with Kevin Whitehead on NPR's Fresh Air with Terry Gross:

Continue with pianist Ethan Iverson at Do the Math, then check obituaries in the New York Times and the (London) Guardian.  And read an interview with Arcata's own Bob Doran.

In happier news: Linda May Han Oh is on the cover of April's Jazz Times, and she has a new album, Walk Against the Wind, on Fabian Almazan's new Biophilia label:



(You might also want to check out a profile of Oh, "Almost Famous, Almost Broke," that appeared last summer in the Village Voice.)

Meanwhile Dayna Stephens, whose album Gratitude is also just out, was interviewed by Burning Ambulance, drummer Dafnis Prieto spoke for the Jazz Gallery's "Jazz Speaks" feature, Cecile McLoren Salvant was the subject of a profile in The New Yorker, trumpeter Cuong Vu sat down with Straight No Chaser, Chris Potter talked to Ted Panken about his new ECM album The Dreamer Is the Dream in the June issue of DownBeat, and trombonist Ryan Keberle, who also has a new release (with his band Catharsis), was on Leo Sidran's Third Story podcast. Hear a track from Keberle's Find the Common, Shine a Light right here:



And: check out a video interview with Catharsis vocalist Camila Meza (a fine songwriter and bandleader in her own right) for the Jazz Gallery's "Jazz Speaks."

Finally in the new releases department: go track down David Binney's The Time Verses, the first album with his core quartet (Jacob Sacks, Eivind Opsvik, Dan Weiss), since 2009.

News of Past Guests, New Year 2017 Edition

I don't know that "happy" is an adjective we're ready to apply to 2017.  But some of us on the RJA board started the new year off right, anyway, with a visit to New York for Winter JazzFest. Our old friend Donny McCaslin was part of this year's lineup--as well as a recent visitor to NPR's Tiny Desk:



--and an interviewee of Dave Sumner at the Bandcamp Daily blog.

Across the pond, Phronesis have announced a forthcoming album, The Behemoth, to be released in March. The name might have something to do with the fact that the trio are backed by the Frankfurt Radio Bigband, arranged and conducted by Julian Argüelles. Here's a preview track, "Zieding":



Noah Preminger also has a new album, Meditations on Freedom--a protest album of sorts, with tunes that respond passionately to our difficult times. He talks about it on the Straight, No Chaser podcast, and you can buy the digital download or the CD at Noah's website.

It's the season for new sax albums, evidently. Miguel Zenón's Típico was recently featured on NPR's "First Listen."  You can't hear it there any more, but you can listen to one track below and another on Soundcloud.  Then buy the album from CD Baby (where the artist gets a much more generous cut of the purchase price than at most other digital outlets).



Finally, Linda May Han Oh is leaving Dave Douglas's Greenleaf Music label and joining Fabian Almazan's Biophilia label.  Preview her forthcoming album, Walk Against the Wind, below:

News of Past Guests, May 2016 Edition

Okay, sure: we'll start this post in the traditional way, with news about past guests.  For instance, over at Jazz Speaks (the weblog of New York City's venerable performance space, the Jazz Gallery), bassist Linda Oh talks about her upcoming album (and playing with Pat Metheny).

Then there's Matt Wilson (below), who has a beautiful new album, Beginnings of a Memory, with a group he's calling Big Happy Family.



The "memory" is of Wilson's beloved wife Felicia, who died in 2014, and the "family" are a dozen members of his three working bands--Felicia's favorite players, who came together to play some of her favorite tunes. Wilson talks about the album in the June issue of DownBeat. Here's the title track:



There are other albums out, too (or coming out soon), by Rez Abbasi, with a new ensemble called "Junction":



by the Claudia Quintet:



--and by Phronesis bassist Jasper Høiby:



Plus, vocalist Rene Marie has just released a full album of her own compositions:

And if you'd like to hear Chris Lightcap's Bigmouth, Allison Miller's Boom Tic Boom, and/or the Vijay Iyer Trio again, then you might be interested in WNYC's New Sounds podcast, since they all appear on the same episode devoted to "Groove-Based Jazz":



Otherwise, though, our news this month isn't about past guests, but about old friends from closer to home. To wit:

Last month, longtime jazz fanatic and radio programmer (at KZYX in Fort Bragg) Doug Moody was named a "Jazz Hero" by the Jazz Journalists Association.  A co-owner (and Senior Vice President for Marketing) of North Coast Brewing Company, Doug has also been one of the RJA's most stalwart supporters since the very beginning of our ten-year existence.  As beneficiaries of his largesse, we're in good company: North Coast supports jazz presenters, performers, and educators all over California and all across the country, not least through its sales of its "Brother Thelonious" abbey-style ale:

These days, Doug and North Coast are presenting jazz, too, at their "Sequoia Room" in Fort Bragg. Road trip, anyone?

Finally, bassist Shao Way Wu left Arcata a couple of years ago for the bright lights of Portland, where he's been illuminating that city's own local jazz scene. He's got a new album, Canvas Sky, with his bass-piano duo "Tar Beach."  You can buy it on Bandcamp after you listen to it here:

(You can also find albums by the PDX incarnation of his Coconino Trio and tracks by his bass-guitar duo "Day In the Sun.")

News of Past Guests, Spring Break 2016 Edition

Michael Blake's new album, Fulfillment, a suite of compositions for large ensemble on the themes of immigration and exclusion, is out on the Canadian label Songlines. Read about the project at the label's website, where you can also download a free track. Here's another cut, "Sea Shanty"--



--which is one of three tunes from Fulfillment that are part of a Michael Blake playlist at Songlines' Soundcloud page.

The New York Times calls Melissa Aldana's brand-new release, Back Home, her "finest album" yet. It's available at the usual online vendors (and, if you ask for it, at your local record store). Read the transcript of an amazing conversation between her and Sonny Rollins at Burning Ambulance.

The April issue of Jazz Times focuses on bassists--and it includes profiles of Chris Lightcap (Chris Lightcap's Bigmouth, Regina Carter's Southern Comfort) and Scott Colley (Antonio Sanchez Migration), a "Before and After" listening session with Eureka's own Trevor Dunn (Nels Cline Singers), and Linda Oh picking (and discussing) some of her favorite bass duo tracks. Select content from the magazine will go online April 5.

And speaking of bassists: out March 18 from Omer Avital is Abutbul Music. (Abutbul is one of Avital's ancestral surnames.) DownBeat magazine's "Editor's Choice" review says that some of the album's tunes mix genres, "mov[ing] through various guises, switching rhythms and meters with a dancer’s precision," while "[o]thers hone in on a single genre and explore it through Avital’s distinctly groove-filtered lens."  Case in point: "Bed-Stuy," which "incorporates hushed, Mingus-flavored swing":

Preparing for his last record, Intents and Purposes (an album of acoustic covers of classic 70s fusion tunes), inspired guitarist Rez Abbasi to compose some electric "fusion" of his own. The results are on a new album, Behind the Vibration, out May 20th:



Finally: the Donny McCaslin Group is the subject of a story on the cover of the May issue of DownBeat (the same issue also contains an interview with drummer Allison Miller). 

Donny and the rest of the band also talked about their experience with the late David Bowie (they're the core group on Bowie's celebrated swan song, Blackstar) on a recent episode of The New Yorker Radio Hour:

News of Past Guests, April 2015 Edition

Don't let anybody tell you Sheila Jordan is yesterday's news.  Here's The New Yorker's preview of her weeklong run with the Steve Kuhn Trio at Birdland at the start of April, from "Goings On About Town":

An acolyte and friend of Charlie Parker, the singer Jordan absorbed bebop from the source, but she's also a committed modernist whose style has evolved with the ensuing decades. One of the key collaborators who assisted Jordan in her artistic growth is the equally inventive pianist Kuhn, who leads the trio supporting her at Birdland this week.

(Cameron Brown is the longtime bassist in that trio, by the way.)

A few years ago, Dave Douglas and Joe Lovano teamed up to start a band, "Sound Prints," devoted to music inspired by the legendary Wayne Shorter.  (The quintet also includes pianist Lawrence Fields, bassist Linda Oh, and drummer Joey Baron.) They've finally committed that project to wax--er, bits--in the form of an album for Blue Note recorded live at the Monterey Jazz Festival.  Here's a taste:

Hey--remember how, last time, we told you about Myra Melford's new band/project/album, Snowy Egret? On April 11th, she talked about it with Arun Rath on the weekend edition of All Things Considered:

And remember how we also gave you a preview of the Dafnis Prieto Sextet's new album? Now you can buy it--at Amazon, on iTunes, or at CDBaby.  And here's the video EPK, together with a studio performance of one of the album's strongest tracks, "Blah Blah":